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Blog Archive

Check out some of my recent work, and my essays on Photographing The Arts!

Photographing the arts: on deadlines (or, the best you can do by Tuesday)

“It was a matter of the best you could do between now and Tuesday.” However, he was quick to add, “the best you could do between now and Tuesday is still a kind of best you can do...”

I first heard this quote from cinematographer Alex Funke, at the time a neighbour of mine in New Zealand - who worked for many years in the offices of Charles & Ray Eames - and it stuck with me as being something that applies to all creative work, especially in performing arts.

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Photographing the arts: talking production photography on the Closing Night Theatre Therapy podcast

I had a chat recently with hosts Nate Edmondson and Suzy Wrong at the Closing Night: Theatre Therapy podcast, along with photographer Clare Hawley, about what’s involved in theatre photography - the business, as well as the art - and that episode has just been released over the weekend.

We talk about a lot of different elements of what we do, so I though I’d put together a few links here to some of my blog posts that overlap with the discussion, in case anyone wants to read more about a certain subject - or if I make more sense in writing than I do on the radio!

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Photographing the arts: how do I support design decisions through production images?

Six characters in search of a voice, Small Mouth Sounds is a near-silent play featuring a group of individuals sharing a silent retreat, the quiet broken only by the pronouncements of the self-declared guru they’ve come to learn from. But will they learn anything from him, or each other?

The play is as much about the baggage the characters bring with them to the retreat, and how each of them handles their own failures and weaknesses - or, completely fails to - over the course of a few days together. In silence…

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Photographing the arts: on shadows, strobes, & saturation

I wouldn’t describe myself as a massive fan of horror films, but I’ve seen my share. So when I was contacted about photographing Alice In Slasherland for Last One Standing, I was certainly interested - the idea of doing horror-comedy on stage is something that doesn’t get explored that often; apart from Evil Dead: The Musical I’d seen in Toronto years ago, I couldn’t think of another example off the top of my head.

Of course, theatre lighting is an interesting challenge at the best of times for a photographer; add in saturated colours, strobe lighting during action sequences, and fast movement in low light…well, it’s tricky!

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Photographing the arts: on working long-term with your photographer

I’ve been working with director Dino Dimitriadis from Apocalypse Theatre for several years now, on shows around Sydney; in fact, I think Angels In America is our tenth production together! So it’s only natural that we’ve gotten to know each other’s methods of working, over that time.

It’s interesting to have an ongoing working relationship like ours; it’s not something that happens all that often, as a freelance photographer in the arts. Often we’re not contacted until quite close to production, with the result being that whoever’s available on the day is the person who does the work…

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The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company

I’m really pleased to be spending time with Darlinghurst Theatre Company this year - their whole mainstage season, in fact - not only because they do good work, but they’re also really lovely to work with. So it’s great to be ducking over to the Eternity Playhouse on a regular basis, all through 2019!

Our first production in this collaboration, which is on through 24 February at the Eternity Playhouse, is The Rise And Fall Of Little Voice - starring the amazing Caroline O’Connor as Mari, and the wonderful Geraldine Hakewill as her daughter “LV”.

Directed by Shaun Rennie - who I also worked with on Only Heaven Knows at the Hayes - it’s a dark comedy about finding your voice, breaking out of old relationship traps, and being true to yourself…

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