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Posts tagged Angels In America
Photographing the arts: on working long-term with your photographer

I’ve been working with director Dino Dimitriadis from Apocalypse Theatre for several years now, on shows around Sydney; in fact, I think Angels In America is our tenth production together! So it’s only natural that we’ve gotten to know each other’s methods of working, over that time.

It’s interesting to have an ongoing working relationship like ours; it’s not something that happens all that often, as a freelance photographer in the arts. Often we’re not contacted until quite close to production, with the result being that whoever’s available on the day is the person who does the work…

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First XV: Angels In America Part 1: Millennium Approaches at Belvoir (2013)

This image marks a new beginning in my career to date, as it's the first production photography I did in Australia after relocating to Sydney in December 2012; fortunately for me, it was also a really great production, both in terms of how it looked in the images, and how it played out on stage...!

Belvoir's production of Angels In America is one I've written about before, and one I'm always happy to have another look at; so it's not so surprising that this image is one of my favourites from that year. Really, the hard part was choosing just one moment from the show...

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Photographing the arts: how do I edit my images?

In my previous essay on photographing the arts, I was talking about selecting images from a shoot; now, we're on to the conversion and correction of the files themselves, taking a RAW file and turning it into a beautiful, finished image.

RAW files are the original camera files, which contain far more image data than an in-camera .jpg, so as a result there's a lot you can do in the RAW conversion process - and, there are a lot of choices that need to be made for each image that gets worked on. Sometimes, it's possible to take settings and copy them from one image to the rest, and get consistent results that way - but that's rare in the performing arts, as the light usually changes from scene to scene, or from one part of the stage to another. Having been a lighting designer, I know how hard it is to get an even, smooth spread of light across a stage, if that's what the aim is - but often, it's not!

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Photographing the arts: how do I make everyone happy?

When I was photographing a theatre production recently, I had a quick conversation before the dress rehearsal, which went something like this: "Hi Robert, I'm the designer on this show - could you make sure you take some wide angle shots for my portfolio?"

Now, that's a perfectly normal, common and reasonable request - and one that raises an interesting question in terms of this sort of work: who exactly am I working for, or responsible to, when I photograph a show? And, how can I make them happy?

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Congratulations to Helpmann Award nominees, Robyn Nevin & Angels In America!

Just wanted to say congratulations to Belvoir Theatre for their nominations in this year's Helpmann Awards for their production of Angels In America, which I photographed for them last year - well, I did Part 1: Millennium Approaches, anyway! I really loved this production a lot; oddly enough, I wound up seeing Angels two and a half times last year, having booked tickets for the full show at Belvoir before finding out I'd be photographing Part 1 as well, and when I found out it was on in Toronto a month later, I went to see that as well.  I know, I got carried away - but honestly, I enjoyed everything about Belvoir's version better: cast, costumes, set, sound design, lighting, the lot.  So, I'm glad to see it make the list this week.

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