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    <lastmod>2026-01-12</lastmod>
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      <image:title>Blog Archive</image:title>
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    <loc>https://www.robertcatto.com/blog-archive/2026/2/real-world-travel-lens-test-the-sigma-17-40mm-f/18-zoom-for-fujifilm</loc>
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    <lastmod>2026-02-13</lastmod>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Make it stand out</image:title>
      <image:caption>A room at La Casa de Pilatos, Seville; Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/1000th at f/1.8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Roman aqueduct, Segovia</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/350th at f/11, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Alcázar of Segovia</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/1800th at f/5.6, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Alcázar of Segovia</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/56th at f/7.1, 12800ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral Nueva de Salamanca</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/110th at f/5.6, 12800ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - The Alhambra, Granada</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 27.5mm, 1/125th at f/5.6, 1250ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - The Alhambra, Granada</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 26.5mm, 1/125th at f/5.6, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Palacio de Carlos V at the Alhambra, Granada</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/1400th at f/8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral de Granada</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 28.5mm, 1/125th at f/1.8, 1000ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Mezquita Catedral de Córdoba</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 27mm, 1/125th at f/4, 5000ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Make it stand out</image:title>
      <image:caption>Backlit archway, Mezquita Catedral de Córdoba; Fuji X-H2, Sigma 17-40mm f/1.8 at 19mm, 1/125th at f/1.8, 1600ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Portrait at the Alcázar of Segovia</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/5800th at f/1.8 and 500ISO</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Portrait at the Alcázar of Segovia</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 28mm 1/4400th at f/1.8 and 500ISO</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral de Segovia</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/1.8, 2000ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral de Segovia</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 26.5mm, 1/125th at f/4, 2000ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral Nueva de Salamanca</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/1.8, 1250ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Catedral Nueva de Salamanca</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 40mm, 1/125th at f/1.8, 2500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Museo de Bellas Artes de Sevilla</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 28mm, 1/125th at f/1.8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Iglesia de San Antonio de los Alemanes, Madrid</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/1.8, 1000ISO.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - La Casa de Pilatos, Seville</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/5.6, 3200ISO.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Basílica de San Juan de Dios, Granada</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/5.6, 8000ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - La Casa de Pilatos, Seville</image:title>
      <image:caption>Fuji X-H2 with Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/1.8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Make it stand out</image:title>
      <image:caption>A relief at La Casa de Pilatos, Sevilla; Fuji X-H2, Sigma 17-40mm f/1.8 at 29mm, 1/850th at f/1.8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Segovia from the roof of the Alcázar</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 24mm, 1/800th at f/11, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Segovia street</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/125th at f/11, 1250ISO.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Convento de San Esteban, Salamanca</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 24mm, 1/125th at f/8, 6400ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - The Alhambra, Granada</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/1300th at f/11, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Narrow street, Córdoba</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/2200th at f/8, 500ISO.</image:caption>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - The Alhambra, Granada</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/750th at f/8, 500ISO.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Córdoba</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/600th at f/11, 500ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1768185198922-2J5OKYGSV0C4FOXBL241/RC25SP+1833+%C2%A9+Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - La Casa de Pilatos, Sevilla</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/850th at f/11, 500ISO.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Real World Travel Lens Test: the Sigma 17-40mm f/1.8 Zoom for Fujifilm - Córdoba</image:title>
      <image:caption>Fuji X-H2, Sigma 17-40mm f/1.8 at 17mm, 1/950th at f/8, 500ISO.</image:caption>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2025/12/king-kong-premiere-in-wellington-new-zealand-twenty-years-on</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-16</lastmod>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On - Make it stand out</image:title>
      <image:caption>Jamie Bell, Colin Hanks, Andy Serkis, Thomas Kretschmann, Adrien Brody and Naomi Watts on stage at the King Kong premiere in Wellington, NZ.</image:caption>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Weta Workshop founders Richard Taylor and Tania Rodger on the red carpet at the King Kong premiere in Wellington, New Zealand in 2005.</image:caption>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Adrien Brody being interviewed outside the Embassy Theatre in Wellington, NZ.</image:caption>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Peter Jackson waves to the crowd with his daughter Katie at the premiere of King Kong in Wellington, New Zealand.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Adrien Brody, Andy Serkis, and Naomi Watts at the Embassy Theatre in Wellington, NZ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1765689276360-Z16AMJMV6R5JD1LGBAWS/KK5PR+9471+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Peter Jackson with the cast and crew of King Kong outside the Embassy Theatre in Wellington, NZ.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1765689152250-05Z46TKN5EVV3SSQIEGS/KK5PR+1294+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On</image:title>
      <image:caption>Naomi Watts on the red carpet at the New Zealand premiere of King Kong at the Embassy Theatre in Wellington.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/4d8a97f0-7a7a-4263-9759-91f98a778d69/KK5PR+9755+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On - Make it stand out</image:title>
      <image:caption>Weta Workshop’s Tripod sculpture in Wellington, a tribute to the home grown film &amp; screen industry of New Zealand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/6fdac51d-5e06-42cb-9059-58e2efad88eb/KK5PR+9869+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On - Make it stand out</image:title>
      <image:caption>The Embassy Theatre in Wellington, dressed for guests at the film screening to emerge to a scene of destruction.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On - Make it stand out</image:title>
      <image:caption>Final scene of Peter Jackson’s King Kong (2005), featuring me in a hat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/7697381f-246c-4861-ba8d-3e75db913908/King+Kong+Press+Pen+at+Wellington+Premiere.jpg</image:loc>
      <image:title>Blog Archive - King Kong Premiere in Wellington, New Zealand—Twenty Years On - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2025/7/photographing-the-arts-a-chorus-line-at-darlinghurst-theatre-co-2020/2022</loc>
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    <lastmod>2025-07-29</lastmod>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022) - Make it stand out</image:title>
      <image:caption>The 2020 cast of A Chorus Line at Darlinghurst Theatre Company hold up their headshots on stage, many of which I’d photographed the night before to be printed in time for this rehearsal.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022) - Make it stand out</image:title>
      <image:caption>Covid-era hand washing instructions at Darlinghurst Theatre Company, including the lyrics of One Singular Sensation to time 20s of washing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759128306-2PAQDIUY5AB2G4G880KO/1218+DT20CL+5908+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Angelique Cassimatis (Cassie)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759114146-79P9OUTDQQ20KUQCR860/1019+DT20CL+5707+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Eli Cooper (Bobby)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759126190-58DRFSG0IF6XM17RSK14/1186+DT20CL+5876+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Madeleine MacKenzie (Judy)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759115383-FP837VK6F4MA1ISXJ0AL/1051+DT20CL+5739+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Keanu Gonzalez (Greg)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759117503-4JGNJ2ZTCS9R8VF3OH6F/1056+DT20CL+5744+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Lachlan Dearing (Mike)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759119621-6K438RD3X7IFCRTBG82L/1105+DT20CL+5794+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Dayton Tavares (Mark)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759121869-KODPNKPYRMZ24ILAD4EN/1110+DT20CL+5799+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Romina Villafranca (Kristine)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759130424-G09ITA1IL1O66R78X2EC/1229+DT20CL+5920+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Andrew Cook (Don)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759123951-S09KKFPSL151K2FF1297/1134+DT20CL+5823+RT+%C2%A9%C2%A0Robert+Catto+Tech+Pan+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Samantha Bruzzese (Diana)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759846941-9Y1FWUI571J9SBGWP7HT/0355+DT21CL+7244+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Molly Bugeja (Vicki/Dance Captain)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759842823-9KY7K5XN9YNQRLS9ZVP6/0273+DT21CL+7162+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Maikolo Fekitoa (Mark)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759844883-PER3LXGZIM19SW2OUCE7/0331+DT21CL+7220+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Rechelle Mansour (Val)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759838589-NHRH0YGNQASBMMP13NFE/0167+DT21CL+7056+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Brady Kitchingham (Larry)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759849015-V290BK5LFT8M5X6HIHVL/0376+DT21CL+7265+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Tony Oxybel (Richie)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759837475-SHYA7A1LX8A72FLLLM6W/0074+DT21CL+6962+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Ashley Goh (Connie)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753759840763-Q4DYYEIY4YL5SY645O6I/0206+DT21CL+7095+RT+NBP+Tech+Pan+8x10+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>Harry Targett (Don)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763715446-L7G6Z75PW2VZ5OPPMTV8/4738+DT20CL+7333+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763716498-OPOCG6GZIZC46OVP4FT8/4912+DT20CL+8757+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763718812-HEA8N976ICAN8RG0ILXG/5650+DT20CL+7648+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763720757-IME6TUQGQHV8PLQ16BB2/5958+DT20CL+7895+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763733810-J6L8DW4EPKMD63RHUFC3/8527+DT20CL+0368+PR+Edit+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763723024-JTMC1MW1SQ4GINL29AAG/6153+DT20CL+8005+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763725126-0B1CT6ZUXAGUNBX05PP6/6461+DT20CL+8249+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763727445-W3NOIVAINV6K34X6S6P9/6743+DT20CL+9645+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763729545-Z5WLH5MZK7QCOQPKHOJW/7758+DT20CL+9251A+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763731653-MSDPLCNRX06TY5QD4WKH/7993+DT20CL+9833+PR+Edit+2+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753763735963-9OIJLD2N6890UNS6B96X/9780+DT20CL+1342+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2020, Eternity Playhouse)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753764192013-MNY5KY3OXITOZ24BM1EN/5327+DT22AC+1516+%C2%A9+Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753764204178-1Q76AP52BCETL6W3537O/1054+DT22AC+1679+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1753764199733-7OPW95VUEU9M0OOJJROH/4175+DT22AC+3539+%C2%A9+Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022)</image:title>
      <image:caption>A Chorus Line (2022, Riverside Theatre Parramatta)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/6bea5c89-2eba-450d-92f3-daf9f1a242e3/5401+DT22AC+1590+%C2%A9+Robert+Catto+Not+Print+QualityB.jpg</image:loc>
      <image:title>Blog Archive - Photographing The Arts: A Chorus Line (2020/2022) - Make it stand out</image:title>
      <image:caption>The full 2022 cast and crew on stage at Riverside Theatre, Parramatta.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2025/4/photographing-the-arts-embracing-uncertainty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/eed10701-9abd-4e55-8a65-faa5fa80f710/6650+DT21ON+6621+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: embracing uncertainty - Make it stand out</image:title>
      <image:caption>Jennifer Trijo in Once, at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1550037778187-JE23EKJ54QPJV0RFD61O/DT19LV+7491+RT+NBP+Purple+Record+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: embracing uncertainty - Make it stand out</image:title>
      <image:caption>Geraldine Hakewill in The Rise and Fall of Little Voice at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1541976509341-BHR0OEY6VIXB1815Y1A7/AF18HI+0288+RT+V50+NBP+Crop+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: embracing uncertainty - Make it stand out</image:title>
      <image:caption>Home Invasion with Chloe Bayliss, directed by Alex Berlage, at the Old 505 Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1550551479174-G7S9BKG6RV99CM0EKADY/1012+AT19AA+6950A+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: embracing uncertainty - Make it stand out</image:title>
      <image:caption>Timothy Wardell and Ben Gerrard in Angels In America at The Old Fitz, directed by Dino Dimitriadis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624510626117-GJI33G23HVI6HKOLGTMT/4281+DT21ON+4464+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: embracing uncertainty - Make it stand out</image:title>
      <image:caption>Once at Darlinghurst Theatre Company. Cast: Stefanie Caccamo, Toby Francis, Jay Laga’aia, Victoria Falconer, Drew Livingston, Abe Mitchell, Rupert Reid, Alec Steedman, Tamlyn Henderson, Deirdre Khoo, Patrick Schnur, Jennifer Trijo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2021/9/different-spaces-wide-angles-for-close-quarters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630901692153-E25ZWR64O1JNL3CZCR3R/0227+AT19AA+6303+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Creating Space</image:title>
      <image:caption>Wide angle lenses tend to enhance or exaggerate the amount of space between actors on stage, both in terms of how far they seem from each other on opposite sides of the set, but also in terms of scale; whatever is closest to the lens can seem very large, while a performer at the back of the stage will seem tiny and distant in comparison. This can also be used to your advantage—in the right circumstances, differences of scale can reveal power dynamics, in an on-stage relationship. Image: Catherine Văn-Davies and Gus Murray in Angels in America at the Old Fitz Theatre, directed by Dino Dimitriadis.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630900834035-2K083VNVM3W7IN4BINBC/3594+DT21ON+4126+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Showing the environment</image:title>
      <image:caption>Being close to the stage on a wide angle can also mean you wind up seeing more of the surroundings than you might want, in terms of looking both into the wings and up into the lighting grid, which can then lead to lens flare as well. Depending on the production, this might work, though—some shows have quite immersive environments, where the sides of the stage are part of the design. Image: Stefanie Caccamo and the cast of Once: The Musical at Darlinghurst Theatre Company, directed by Richard Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630906893290-7ACCZZH1IU54BLZ16XD0/7993+DT20CL+9833+PR+Edit+2+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Converging Vertical Lines</image:title>
      <image:caption>Very wide lenses will also tend to make the angle of the camera much more obvious, by introducing converging vertical lines if you’re pointed slightly up or down. That can be corrected later, but it can also lead to performers looking stretched in odd ways in order to correct their surroundings. It can be useful to have extra space available outside the image you actually want, though, specifically to give more cropping options later. Image: The cast of A Chorus Line at Darlinghurst Theatre Company, directed by Amy Campbell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630902585716-DEZUDJC4PKBA94D8L83O/Darlinghurst+Theatre+Company+A3%2BPlan_Stage%2BSpace+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Floor Plan of Eternity Playhouse</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630902586815-1OGZRAKA3H8KNG977IXW/Darlinghurst+Theatre+Company+A3%2BElevation_Theatre%2BSpace+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Side View of Eternity Playhouse</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630905169685-N3P5G0L4VNQ8BT61R7LN/4589+DT20CL+8552+PR+Edit+2+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - The cast of A Chorus Line at Darlinghurst Theatre Company.</image:title>
      <image:caption>From a very central position on a 10mm lens that’s close to level, this limits the converging lines, and a 16x9 crop removes the seats from the corners of the image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630907406676-CGIXN7LNN4BNJCHT3748/6418+DT21ON+6363+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - The cast of Once at Darlinghurst Theatre Company</image:title>
      <image:caption>Although I’m off-centre for this image, I’ve stayed low to keep the vertical lines from converging, so I didn’t need to do too much correction here—even though this was on an 8mm lens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630920470345-9FVJ1ESCBMRQAYG50UK8/6815+AT19AA+9434A+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Apocalypse Theatre presents Angels In America</image:title>
      <image:caption>Ben Gerrard as Prior Walter, with the cast of Angels in America; taken on an 8mm lens with a Fuji X-H1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630920472571-NP8RLVHZ9FT9XDJ3UI2H/6852+AT19AA+2159+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Apocalypse Theatre presents Angels In America Part II: Perestroika</image:title>
      <image:caption>Ben Gerrard as Prior Walter, with the cast of Angels in America; taken on a 28mm lens with a Fuji X-H1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1630920471464-NKOB5V0VTPVR2M1W5I6Z/6839+AT19AA+2146+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—wide angles for close quarters - Apocalypse Theatre presents Angels In America Part II: Perestroika</image:title>
      <image:caption>Ben Gerrard as Prior Walter, with the cast of Angels in America; taken on a 50mm lens with a Fuji X-H1.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2021/8/photographing-the-arts-different-spaces-on-venue-size-and-lens-choice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624938302517-YYON69I1AN68ABJ4N0N6/2333+AR21I1+0983+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice - Make it stand out</image:title>
      <image:caption>Soprano Jacqueline Porter, performing with the Australian Romantic &amp; Classical Orchestra at City Recital Hall, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624942840876-D30MWHZHO0IVFZOAIUI2/Screen+Shot+2021-06-29+at+2.59.56+pm.png</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Depth of Field Calculator simulation of a Fujifilm X-H1 with a 200mm f/2 lens and 1.4x teleconverter, from a distance of 15m.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624865552462-VMMOT8ZEGRJT37IYIW9O/1428+AR21I1+0307+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Soprano Jacqueline Porter, performing with the Australian Romantic &amp; Classical Orchestra at City Recital Hall, Sydney. (Taken with a Fujifilm X-H1, 200mm lens with a 1.4x teleconverter, 1/250th at f/2.8, 1000ISO.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624866644037-N3NZR0HEIF0HELY2XA3P/Screen+Shot+2021-06-28+at+5.49.56+pm.png</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Depth of Field Calculator simulation of a Fujifilm X-H1 with a 16mm f/2.8 lens, from a distance of 15m.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624866085397-N0B6XDKLCOPRUX21PHU9/1068+AR21V2+4252+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Sam Allchurch, conductor of the Sydney Chamber Choir, directing the audience to join in during the Australian Romantic &amp; Classical Orchestra's Voyage of Musical Discovery: Voices &amp; Instruments concert. (Taken with a Fujifilm X-H1, 16mm lens, 1/125th at f/4, 4000ISO.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940548491-7CY2VN62IB1W4244J3WC/Sydney+Town+Hall+Standard-Theatre-Style-Plan+Syd+Phil+Marked+Up+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Scale plan of Sydney Town Hall, showing my positions for photographing Carmina Burana.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940548877-2T339G5LRZJPL8UJ4X85/0275+SP21CB+2175+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Sydney Philharmonia Choirs performing at Sydney Town Hall—closeup from side of stage (position 1 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/125s at f/2.8, 1000ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940550019-BYFFX5ATEWZ2N2B7N5M1/0279+SP21CB+2179+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Conductor Brett Weymark leads Sydney Philharmonia Choirs—closeup from side of stage (position 1 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/125s at f/2.8, 3200ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940551163-JT03BDZXDEM3EZZ0FEIM/0442+SP21CB+2269+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Percussionists performing with Sydney Philharmonia Choirs—rear of ground floor view (position 2 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/125s at f/2.8, 1000ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624943305521-7JRU42NRLRZC6TX6YPI9/0323+SP21CB+6852+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Sydney Philharmonia Choirs—rear of ground floor view (position 2 on the floor plan). Taken with a Fujifilm X-H1 and 50-140mm f/2.8 lens at 50mm, 1/125s at f/5.6, 2500ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940551762-723UW626SALRLKEAGP74/0597+SP21CB+2424+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Soloist Penelope Mills (soprano) performing with Sydney Philharmonia Choirs—rear of ground floor view (position 3 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/250s at f/2.8, 640ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940554656-RWCV7B10CDIVW6POBPIG/1545+SP21CB+3084+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Baritone José Carbó performing with Sydney Philharmonia Choirs—centre balcony view (position 4 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/80s at f/2.8, 640ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940553091-RHSG93BTIQ50KMZJBAFZ/1301+SP21CB+7162+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Sydney Philharmonia Choirs performing Carmina Burana—centre balcony view (position 4 on the floor plan). Taken with a Fujifilm X-H1 and 8-16mm f/2.8 lens at 11mm, 1/125s at f/2.8, 2500ISO.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624940553685-QXDJ34ELKAKL92GJNNJW/1468+SP21CB+3021+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: Different Spaces—on venue size, and lens choice</image:title>
      <image:caption>Tenor Kanen Breen performing Carmina Burana with Sydney Philharmonia Choirs—centre balcony view (position 4 on the floor plan). Taken with a Fujifilm X-H1 and 200mm f/2 lens with a 1.4x teleconverter, 1/80s at f/4.5, 1000ISO (cropped).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2021/7/photographing-the-arts-revisiting-a-show-or-once-twice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509080175-0OVFJY9WNN784XI5HRAO/4281+DT21ON+4464+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice) - Make it stand out</image:title>
      <image:caption>The 2021 cast of Once performing Gold, at Darlinghurst Theatre Company in Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624510275122-PBC3JVU6JPUFOQUBE322/3020+DT19ON+4722+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice) - Make it stand out</image:title>
      <image:caption>The 2019 cast of Once performing Gold, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509257447-V5OYXDECI3BPCVMYY36E/6418+DT21ON+6363+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>The cast of Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509255201-UB203918TYNKFXMMJA7Y/6171+DT21ON+6116+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Stefanie Caccamo and Toby Francis in Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509239496-5YQ3P3O8C73MY3SHJKF4/2777+DT21ON+3721+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Stefanie Caccamo and Toby Francis in Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509239709-UTSXCOZUXGQ6C2N6WTP2/3050+DT21ON+7735+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Stefanie Caccamo and Toby Francis in Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509241235-U0A8EC0UPMESWN1PUZDM/3423+DT21ON+4079+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Victoria Falconer and Toby Francis in Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509242144-5OS971E7LYN87HIA3TLD/3594+DT21ON+4126+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Stefanie Caccamoand the cast of Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509243665-Y1QCADXNLBI81ZJQTKNS/3783+DT21ON+8128+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Alec Steedman and Victoria Falconer in Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1624509244973-RS24O23VW60UIF3ENRQQ/3979+DT21ON+4253+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: revisiting a show (or Once, twice)</image:title>
      <image:caption>Toby Francis and the cast of Once, at Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
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    <lastmod>2019-09-23</lastmod>
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      <image:title>Blog Archive - The iPhone 11 Pro camera: a photographer's first impressions - Sydney Harbour Bridge at night (2x zoom lens)</image:title>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/8/photographing-the-arts-invisibility-by-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565059251813-OP5S3YJQCQ3RHJNBUZ2Z/0507+DT19RE+7985+RT+NPB+KC+StB+Flare+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End, by Jane Harrison</image:title>
      <image:caption>Lily Shearer as Nan Dear</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565059252485-UCWAHHA7EOXM40TKGWES/0561+DT19RE+8040+RT+NBP+KC+StB+Flare+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End, by Jane Harrison</image:title>
      <image:caption>Dalara Williams as Gladys</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565059256885-XOT7JJOPSJR0RYFRFRM3/0624+DT19RE+8103+RT+NBP+KC+StB+Flare+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End, by Jane Harrison</image:title>
      <image:caption>Phoebe Grainer as Dolly</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565059258241-1FPWHUVVE8I1A3W1LAHB/0637+DT19RE+8116+RT+NBP+KC+StB+Flare+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End, by Jane Harrison</image:title>
      <image:caption>Phoebe Grainer, Lily Shearer &amp; Dalara Williams</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End, by Jane Harrison</image:title>
      <image:caption>Dalara Williams, Lily Shearer &amp; Phoebe Grainer</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675908990-XX6KWB4R39J8DZE6B0CV/1025+DT19RE+9896+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Lily Shearer, Dalara Williams, and Phoebe Grainer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675909402-L9CMBHJ2PVJEHJYS2DYO/1106+DT19RE+9948+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Lily Shearer as Nan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675914450-R9LIQOCNORPYOO4PIHW0/1193+DT19RE+0036+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675914806-ZVN7J4VFXXCFD123EWFE/1263+DT19RE+0098+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675919887-VXJN2D770M6OLTVE4CRQ/1387+DT19RE+0200+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Phoebe Grainer and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675920247-TY6BD76Q3AWTB89D35PU/1422+DT19RE+0235+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Phoebe Grainer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675924907-MQLN3G8VN4L723O5OINI/1454+DT19RE+0267+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Phoebe Grainer and Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675925257-TC7Q17PKG76JZQOK5AEX/1504+DT19RE+0317+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Phoebe Grainer and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675930905-RAX93MAJDA5HGHTP7DGJ/1586+DT19RE+0385+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Lily Shearer, Dalara Williams, Phoebe Grainer, and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675930908-590Y45UQY4G7VT2E6EVN/1596+DT19RE+0395+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Phoebe Grainer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675935968-LDNOTQON7KSY5SSEW8T7/1689+DT19RE+0488+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675936325-MKKJQIU8CRQFMT53WPD9/1849+DT19RE+0648+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675941475-C80I1L1C7JHT7EBWSK8W/1891+DT19RE+0690+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams, Lily Shearer, Phoebe Grainer, and Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675941962-0AMD849PWQITV2P7E2QN/1939+DT19RE+0729+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675946711-J9P5HH7IARH0RDX6LLIS/2038+DT19RE+0823+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Lily Shearer and Phoebe Grainer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675947074-Q56V8LIKY6HV36JCTBYH/2148+DT19RE+0933+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675955291-J9S53X5I2MCRW0JXPCZ6/2334+DT19RE+1115+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Phoebe Grainer and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675955688-76WZONM2M12XP7HNN81W/2407+DT19RE+1189+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Lily Shearer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675961039-QL7UT51XXO8HT2S3TBB0/2607+DT19RE+1379+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675961392-YLPHHVHJ366B0075O446/2724+DT19RE+1497+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Lily Shearer and Phoebe Grainer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675966230-J4BGIMPWO48PMEMVA69L/2846+DT19RE+1619+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams, Lily Shearer, Phoebe Grainer, Frederick Copperwaite, and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675967291-U1IACI23GYHQFDM90TRM/3011+DT19RE+1765+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams, Lily Shearer, Frederick Copperwaite, Phoebe Grainer, and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675971507-NTNHBPRE9F4KSSKVI8ZD/3044+DT19RE+1798+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Phoebe Grainer and Lincoln Vickery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565675972215-PS6QAX9V00VB56HRQVOY/3046+DT19RE+1800+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design - Darlinghurst Theatre Company and Moogahlin Performing Arts present Rainbow's End</image:title>
      <image:caption>Dalara Williams, Lily Shearer, and Frederick Copperwaite</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1565676769429-PAQADN7AWV1RPZDK47AH/3058+DT19RE+1812+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: invisibility by design</image:title>
      <image:caption>The cast &amp; crew of Rainbow’s End at Darlinghurst Theatre Company</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/7/photographing-the-arts-the-poster-promotional-shoot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562731470030-GNULTLPLQCWWIT0P2HNH/Once+Poster+2.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot - The cast of Once</image:title>
      <image:caption>Stefanie Caccamo and Toby Francis, with Cameron Daddo, Brenden Dodds, Victoria Falconer, Conrad Hamill, Drew Livingston, Rupert Reid, Alec Steedman and Joanna Weinberg, photographed on location in The Rocks for Darlinghurst Theatre Company.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562734239035-1X9YH9K9EHG8W72MCHC5/Screen+Shot+2019-07-10+at+2.49.30+pm+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Google Street View scouting image of our location in The Rocks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562734054676-DKNNEUFECVU9UCG16MBM/DT19ON+9207+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>iPhone scouting image of the same location, two weeks before the shoot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562735702364-WKRQD6GC8SZFPIW6ZQHS/DT19ON+2320+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>First unretouched proof - preferred Guy and Girl image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562736191964-GQP1BTDP9MAVTS5VHDS1/DT19ON+2581+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Unretouched proof - preferred band image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562735707369-YZJWLZEGJAXOWBS3MCEC/DT19ON+2581+Combo+NBP+KC+Etch+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Edited test version with Guy &amp; Girl enlarged, darker background, museum signage removed, some vertical perspective correction applied</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562735707333-STN1SIUXSWEWLIADPS1M/DT19ON+2581+Combo+NBP+KC+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Edited lighter test version with colour toning applied</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562735713611-Y5ZIBP2XKT8ODPPH85DH/Once+Poster+2.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Final retouched version with graphic design incorporated, antenna &amp; branch removed from top left corner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562737856912-0BL3ZZ2GZPZJ6SPGWOXJ/DT19ON+3080+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Secondary image, unretouched proof with ‘influencer’ shoot in background, car on street above</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562737858588-DA3THHIOLZBBXMM5QK92/DT19ON+3080+NBP+KC+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Retouched image with top of stairs cropped out, car removed from top right corner, vignette and colour toning applied</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562737863255-10K8UUMGT5BMO1T40HP2/Once+Poster.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Final file with graphic design layout applied</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1562737856681-EJ3TD3RLM8QNC2XV85T7/DT19ON+2726+NBP+KC+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>Alternate publicity image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1564099389691-G1K2TOQAHOZTRWSCHMN4/1385+DT19ON+9050+%C2%A9+Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot - Stefanie Caccamo and Toby Francis in Once at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption />
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      <image:title>Blog Archive - Photographing the arts: the poster / promotional shoot</image:title>
      <image:caption>The cast &amp; crew of Once at Darlinghurst Theatre Company</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/6/photographing-the-arts-on-deadlines-or-the-best-you-can-do-by-tuesday</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-18</lastmod>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday) - “It was a matter of the best you could do between now and Tuesday.” However, he was quick to add, “the best you could do between now and Tuesday is still a kind of best you can do.”</image:title>
      <image:caption>— Charles Eames, quoted in Doing Quality</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Belinda Giblin in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Matilda Ridgway and Belinda Giblin in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Damien De Montemas in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Belinda Giblin in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Damien De Montemas in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Damien De Montemas in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Charmaine Bingwa in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Damien De Montemas and Belinda Giblin in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Damien De Montemas in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Belinda Giblin and Damien De Montemas in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Belinda Giblin in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>Matilda Ridgway in Doubt: A Parable, at the Old Fitz Theatre.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>2017 edit - notice how the vertical lines are leaning inwards, because I’m slightly above the stage looking down at it?</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>2019 edit with perspective correction - limited change to the centre of the image, but the verticals are all straight now! (Ignore the dotted lines, those are the guides Photoshop uses for the correction.)</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: on deadlines (or, the best you can do by Tuesday)</image:title>
      <image:caption>The cast &amp; crew of Doubt: A Parable.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/5/photographing-the-arts-talking-production-photography-on-the-closing-night-theatre-therapy-podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1558399869587-L0OSUD8IJ49HFVLJQZFN/Robert-Catto-%2B-Clare-Hawley-by-Suzy-Wrong-Sq.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: talking production photography on the Closing Night Theatre Therapy podcast</image:title>
      <image:caption>Myself and Clare Hawley, photo by Suzy Wrong</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/5/photographing-the-arts-how-do-i-support-design-decisions-through-production-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Small Mouth Sounds at Darlinghurst Theatre Company</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1557469636177-HB6PYFJ0W6COB74GP7HJ/DT19SM+8175+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
      <image:caption>Amber McMahon as Alicia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1557469639204-WJDSRBF5TXZ9G5RXYRJA/DT19SM+8549+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
      <image:caption>Justin Smith as Jan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1557469635767-BZ2UA12M41ZK1J6WB87X/DT19SM+8255+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
      <image:caption>Sharon Millerchip as Joan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1557469637277-6RR8D6Y8261SZPVYDRVC/DT19SM+8512+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
      <image:caption>Yalin Ozucelik as Ned</image:caption>
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      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
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      <image:title>Blog Archive - Photographing the arts: how do I support design decisions through production images? - Darlinghurst Theatre Company presents Small Mouth Sounds by Bess Wohl</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1550551508350-HGQOZR5ZA6BGGDVOT3GV/6839+AT19AA+2146+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: on working long-term with your photographer - Apocalypse Theatre presents Angels In America Part II: Perestroika</image:title>
      <image:caption>Ben Gerrard as Prior Walter with the angels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1550551688222-HNPKW1LY6QTS1F4GIYQU/6565+AT19AA+1935+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: on working long-term with your photographer</image:title>
      <image:caption>Ashley Lyons, Tim Wardell, Joseph Althouse and Jude Gibson in Angels In America</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2019/2/the-rise-and-fall-of-little-voice-at-darlinghurst-theatre-company</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company</image:title>
      <image:caption>Geraldine Hakewill as LV in The Rise And Fall Of Little Voice</image:caption>
    </image:image>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Joseph Del Re, Caroline O’Connor and Bishanyia Vincent</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Charles Wu in the rehearsal studio</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549863500756-JD4UT1TSX14CF7X8TZF7/0341+DT19LV+0475+BW+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Caroline O’Connor and Joseph Del Re work on a scene</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Director Shaun Rennie in rehearsal</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549863507794-9WQU6M5WG0QKDQ3O6Y4I/0971+DT19LV+5563+BW+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Kip Chapman as Mr. Boo</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill and Bishanyia Vincent, as LV and Sadie</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill as Little Voice</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Kip Chapman as Mr. Boo leads the audience in song</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill in rehearsal as Little Voice</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Caroline O’Connor &amp; Bishanyia Vincent</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill as LV, surrounded by records</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549944874590-IN7WYOQSNBO8ZYI8RJ5J/2362+DT19LV+2209+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Caroline O’Connor as Mari</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill, Caroline O’Connor and Joseph Del Re</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill as LV performs at home for Mr. Boo (Kip Chapman)</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Caroline O’Connor in Little Voice’s bedroom</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill as Little Voice</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549864887010-P75KI2GMSV7QJRM76ZOL/4692+DT19LV+4325+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Joseph Del Re stands back as Geraldine Hakewill arrives for her first public performance as Little Voice</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1550020760660-OVTVAWLVISB4HMGME5HB/4970+DT19LV+6097+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Geraldine Hakewill as LV performs at Mr Boo’s club</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549864889646-JZP78YXCJMZ1R6I34L5O/5185+DT19LV+4623+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Kip Chapman and Joseph Del Re celebrate Little Voice’s performance</image:caption>
    </image:image>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Charles Wu (Billy) visits Geraldine Hakewill</image:caption>
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      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company - Darlinghurst Theatre Company presents The Rise And Fall Of Little Voice</image:title>
      <image:caption>Caroline O’Connor and Joseph Del Re have a disagreement over LV</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1549937249633-J02U0A78A4WWFP3H3PD2/2121+DT19LV+2003+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Rise And Fall Of Little Voice, at Darlinghurst Theatre Company</image:title>
      <image:caption>The cast and crew of The Rise And Fall Of Little Voice</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/12/carols-by-cabaret-at-the-hayes-theatre-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178871636-VP3R3N4BOUXF4BSRGP0P/0237+HR18CC+5397+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Blake Appelqvist sings Baby, Please Come Home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178872308-WENLZUXX5GF51IG10XUY/0324+HR18CC+5444+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Steven Madsen and Matthew Backer perform I’ll Be Home (And Drunk) For Christmas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178876748-X8XDEQXQW5AVEHZJOHTO/0339+HR18CC+5459+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>The Carols by Cabaret band.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178878856-H954JEH6NF656NWS0WEF/0511+HR18CC+4553+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Rowan Witt gets a bit lost during Let It Snow/Go. Who doesn’t love a medley, though?</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178880891-NA0ED3Q512PVVI97Z3WS/0614+HR18CC+4587+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Shaun Rennie and Elise McCann sing Everybody’s Waiting For That Man With The Bag.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178882369-PBQ384ZDV3NXAGSDEYNJ/0721+HR18CC+4642+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Ryan Gonzalez - dubbed the Steven Bradbury of Sydney’s musical theatre scene just moments before, by host Toby Francis - sings All I Want For Christmas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178885221-KR3F2NTSUSVG7K8LUHC4/0853+HR18CC+5799+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Hosts Toby Francis and Dash Kruck join the cast of In The Heights at the end of Feliz Navidad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178886647-JWLV1MGSVC9T5MRSZIPS/0905+HR18CC+5831+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Elise McCann - who was on stage performing, minutes before - raises funds for the Wayside Chapel during intermission.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178897707-32N8ULHHQMBE235HSBN2/0914+HR18CC+5840+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Plates representing donations to the Wayside Chapel from audience members overwhelming the Christmas Tree in the lobby at the Hayes Theatre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178897171-TKRNBDBGU78WYQXOOIIP/0975+HR18CC+5901+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>David Hooley and Stef Jones perform Grown Up Christmas List.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178900545-1XVYBXQQRRVJI8VKWN2A/1096+HR18CC+6023+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>The cast of Cry-Baby storm the stage, and perform Run Run Rudolph.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178901331-KMB8L0NGDBC53M3RW1MS/1172+HR18CC+6089+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Hosts Toby Francis and Dash Kruck draw the raffle prizes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178904343-MDPTDS08FQBMFA0EKHYD/1281+HR18CC+6187+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Steven Kreamer gives a touching performance of White Wine In The Sun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178905375-W0MDN13RZD591YQH0JHB/1306+HR18CC+6212+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Nancye Hayes sings It Came Upon A Midnight Clear, in the theatre that bears her name.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178907616-PE7IXLW2LBBEF36IOHD4/1442+HR18CC+6313+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Matt Edwards and Erin James perform Walking In A Winter Wonderland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178908733-BJEXSEHCEEXH2A1UVGC3/1502+HR18CC+6371+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Toby Francis performs an all-new original Christmas song - which he possibly made up on the spot - to thank departing Hayes staff.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178911063-C6JDB7ZB8KZYD0320AT6/1630+HR18CC+6466+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>David Campbell, having been lured “unexpectedly” from the audience, performs Baby It’s Christmas with equally “surprised” backing vocalists who happen to know the words, and have choreography worked out, for this completely impromptu performance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178912803-5FCFAH5YGJQV79ZS5SEH/1707+HR18CC+6543+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Dash Kruck sings Have Yourself A Merry Little Christmas as the event begins to wind up for another year.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1545178915262-ILACDG72904WYJXBK8NP/1898+HR18CC+4905+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>The full Carols by Cabaret cast sing along with the audience.</image:caption>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>David Campbell, Toby Francis, Lisa Campbell and producer Lauren Peters celebrate another successful event.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/12/the-lord-of-the-rings-the-return-of-the-king-world-premiere-15-years-on</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on - Renovation of the Embassy Theatre in preparation for The Lord Of The Rings: The Return Of The King World Premiere.</image:title>
      <image:caption>Dominic Monaghan and Elijah Wood chase the camera at the Australasian Premiere of The Lord Of The Rings: The Two Towers in Wellington, New Zealand.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>The Fell Beast with Dark Rider is installed on the Embassy Theatre in Wellington before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>A view down Courtenay Place towards Reading Cinemas and the Embassy Theatre in Wellington, before the World Premiere of The Lord Of The Rings: The Return Of The King in 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>A group of Hobbits walk the red carpet at the World Premiere of Peter Jackson's The Lord Of The Rings: Return Of The King on Dec 1, 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>A lone Gondorian stands guard on the red carpet at the World Premiere of The Lord Of The Rings: Return Of The King on Dec 1, 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>A group of Elves walk the red carpet at the World Premiere of The Lord Of The Rings: Return Of The King on Dec 1, 2003.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Liv Tyler at the World Premiere of The Lord Of The Rings: Return Of The King.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Rohan warriors walk the red carpet at the World Premiere of The Lord Of The Rings: Return Of The King.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Peter Jackson at the World Premiere of The Lord Of The Rings: Return Of The King, at the Embassy Theatre in Wellington.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Billy Boyd, Dominic Monaghan, Liv Tyler, Elijah Wood and Sean Astin are reunited at the World Premiere of The Lord Of The Rings: Return Of The King.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>New Zealand Prime Minister Helen Clark wears a chain maille wrap by Weta Workshop at the World Premiere of The Lord Of The Rings: Return Of The King.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Sir Ian McKellen shows off his Weta Workshop created chain maille tie, at the World Premiere of The Lord Of The Rings: Return Of The King.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on - The cast of The Lord Of The Rings: The Return Of The King depart Wellington Airport</image:title>
      <image:caption>Dominic Monaghan, Elijah Wood, Billy Boyd, Orlando Bloom, Sir Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin (and his daughter) and Andy Serkis wait to board a custom-painted Air New Zealand plane.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Crowds at the Embassy Theatre give a standing ovation as The Lord Of The Rings: The Return Of The King sweeps the Oscars, broadcast live from Los Angeles.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>New Zealand Prime Minister Helen Clark at the Embassy Theatre in Wellington on Oscar night, 2004.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on - The collected Oscar winners for The Lord Of The Rings: The Return Of The King at a celebration event in Wellington.</image:title>
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      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Bonus feature #1: my dead elf self, draped over the battlements!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1543890314473-YOQNHXXSEDAY10H3U8AY/Gondorian+Running+2.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Bonus Feature #2: my live Gondorian self, running out the right side of frame!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1543890316182-USW2N5PFDIAW8OPUX6UT/Orc+Archer+3.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Return Of The King World Premiere - 15 years on</image:title>
      <image:caption>Bonus Feature #3: my Orc archer self, about to kill the Rohan I was the day before, and catapult my own head over the walls of Gondor. (Or something.)</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/11/photographing-the-arts-is-your-photographer-part-of-your-creative-team</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team?</image:title>
      <image:caption>Richard Sydenham in a promotional image from The Dapto Chaser, for Apocalypse Theatre / Griffin Independent</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1542603126039-8FWKSLVB0I8IL5D802F8/LW18TR+3242+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Early Development / Workshops</image:title>
      <image:caption>If you’re building a production from scratch, putting together a team, and pitching it to venues and festivals, there can often be a stage of development - or a ‘show and tell’ - where some of the initial ideas get sketched out in a rehearsal space. Of course, not everyone you’re pitching to can be there; but having great images - even if the set and costume designs aren’t fully formed - can make people want to hear more about your proposal.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1475716280598-XV64UXABX3CVD7TAY4IM/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - The First Read-Through</image:title>
      <image:caption>The Dapto Chaser script at rehearsal</image:caption>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Design Presentations</image:title>
      <image:caption>Dan Potra presents his design work on Handel's Theodora for Pinchgut Opera</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1475810580162-KLBZTCP6KRO9KWMJIL6H/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Announcements, Photo Ops &amp; Media Calls</image:title>
      <image:caption>Mitchell Butel, Marcus Graham and Luke Mullins in rehearsal for Belvoir's production of Angels In America</image:caption>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - The Poster / Promotional Image</image:title>
      <image:caption>Jamie Oxenbould and Sean Hawkins in a promotional image for Stones In His Pockets, for Critical Stages</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1542601324677-2HJ3CHAPYCJ1C8DDBCOU/0982+SJ17NE+0696+TP%2BC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - The Rehearsal Room</image:title>
      <image:caption>The poster / studio images are usually already done by the time we hit the rehearsal room; but being there can also give me a chance to be more prepared for the dress rehearsal, when proper production images are ultimately made. Why not use this opportunity to create some new social media images, to build hype around the show as it comes together - and also let me get to know the key moments in terms of blocking, so I know where to position myself in the theatre on the night?</image:caption>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Technical Setup / Production Week</image:title>
      <image:caption>Lighting designer Nick Schlieper gets Blackbird ready for production at Shed 6 in Wellington, during the New Zealand International Arts Festival.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Dress Rehearsal</image:title>
      <image:caption>Of course, having great production images is critical to most shows - for reviewers, publicity, social media, everywhere. But by the time we get to the night of the dress rehearsal, if I’ve been involved at many points through the process, I know what to expect, the cast know what I’m there to do, and everything works. Plus of course, as I’ve written about before, I’ve already got everyone’s needs in mind - from marketing, to touring, to the designers’ portfolios. It’s all in hand - so the producers and director can focus on the dress rehearsal itself, and not have to think about whether they’ve briefed me well enough before we start…!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1542601864472-GZZEU04KQ2X72SEW0KGT/BL18SC+0756+Sleeping+Beauty+Red+Carpet+Arrivals+%C2%A9+Robert+Catto+-+Cast+of+Sleeping+Beauty+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Opening Night</image:title>
      <image:caption>Not every show has a red carpet; but would you get extra publicity, if you did? Are there blogs, newspapers, or magazines that would run a social column about the opening itself - but might not send a photographer themselves - that could drive extra ticket sales? Plus, having worked with me all the way through the process, the cast &amp; crew will react much better to seeing me, than they would to being met by press photographers they don’t know - and the images will reflect that.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team? - Post-show</image:title>
      <image:caption>Once a production is up and running, there are still ways I can help. A limited edition archival print from the show, signed by the cast &amp; crew, is something that can be auctioned to raise funds, or given to high-value donors and sponsors as a thank you gift - or, given away to an audience member at the end of the season, to give them an incentive to sign up to your mailing list. How many people come to the show with friends who booked the tickets, and you never get a chance to communicate directly with them afterwards?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1542771406429-EG2HMXFH77G980O3ANVM/0763+CS17SP+0029+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: is your photographer part of your creative team?</image:title>
      <image:caption>Grant Cartwright &amp; Sean Hawkins in Stones In His Pockets, directed by Chris Bendall for Critical Stages</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/9/elinchrom-skyport-transmitter-pro-with-hi-sync-for-fuji-cameras-a-brief-introduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537940911985-Q74CWB85XTU15YV6YHDE/Fuji+X-H1+with+Elinchrom+Transmitter+Pro</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1 with Elinchrom Transmitter Pro</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941026360-0RY8ZL50IZKD6JP3BFWJ/RC1890+0919+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 56mm, 1/8000 at f/1.2, 200ISO, lit by an Elinchrom Quadra RX with the Pro / S head, and a Photek Softlighter umbrella</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941026573-OAT7YBP5XZJP4Z9XNNJF/RC1890+0920+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 56mm, 1/8000 at f/1.2, 200ISO, lit by an Elinchrom Quadra RX with the Pro / S head, and a Photek Softlighter umbrella</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941028646-GLBLDC4WUV71WTVI1F48/RC1890+0925+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 56mm, 1/8000 at f/1.2, 200ISO, lit by an Elinchrom Quadra RX with the Pro / S head, and a Photek Softlighter umbrella</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941593602-1EVIKFA0WUGIZNF43X0R/RC1890+0981+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 35mm, 1/8000 at f/1.4, 200ISO (no flash)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941593606-VNJ8QE93IP18FOJNFF2V/RC1890+0972+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 35mm, 1/8000 at f/1.4, 200ISO, lit by an Elinchrom Quadra RX with the Pro / S head, and 20° grid with Hi-Sync</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1537941596847-3BWU99J9JKLNK30QVKWJ/RC1890+0992+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Elinchrom Skyport Transmitter Pro with Hi-Sync for Fuji Cameras - a brief introduction</image:title>
      <image:caption>Fuji X-H1, 35mm, 1/125 at f/11, 200ISO, lit by an Elinchrom Quadra RX with the Pro / S head, and 20° grid, with Hi-Sync off</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/9/chronicle90-project-at-the-kage-collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544180771-V992MSOF0FCGLD7V4JET/RC18CA+4246+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>25 JULY 2018 AT 10:07 AM (DARLINGHURST, AUSTRALIA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544279816-CFWQ1YID27Q57B41LXKG/RC18CA+4638+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>4 AUGUST 2018 AT 10:40AM (POINTE AU BARIL, CANADA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544349601-NLNW7K48MH92BIDXS767/RC18CA+5438+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>11 AUGUST 2018 AT 9:24AM (TORONTO, CANADA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544425809-USHMDP6YTDZB6HDD9W20/RC18CA+6080+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>18 AUGUST 2018 AT 01:54AM (TORONTO, CANADA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544482573-6GTMDET8IAOYQUUN3GXJ/RC1890+6819+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>25 AUGUST 2018 AT 2:10 PM (SURRY HILLS, AUSTRALIA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544528531-O0P78MIAAKYNSVF2ZIJH/RC1890+7630+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>30 AUGUST 2018 AT 5:08 PM (SURRY HILLS, AUSTRALIA)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1536544553475-1NSYJY4LSMTZ0C83B4KJ/RC1890+7816+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Chronicle90 project at the Kage Collective</image:title>
      <image:caption>6 SEPTEMBER 2018 AT 3:40 PM (SURRY HILLS, AUSTRALIA)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/4/photographing-the-arts-testing-transition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522798811821-SASX76CTQYC6SW2YK2CP/AF18HI+0288+RT+V50+NBP+Crop+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition - Chloe Bayliss in Home Invasion</image:title>
      <image:caption>Chloe Bayliss in Home Invasion (publicity image), taken with the Fuji X-T2 and the 35mm f/1.4 lens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522798860645-OXM5LVMOBE0OP0QMQBC1/Home+Invasion+Poster.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition - Chloe Bayliss in Home Invasion</image:title>
      <image:caption>Chloe Bayliss in Home Invasion (poster version), taken with the Fuji X-T2 and the 35mm f/1.4 lens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799300217-9N2JUY2ORYYQJTL4L9SL/AF18HR+0330+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Yure Covich in rehearsal for Home Invasion (Fuji X-H1 with 56mm f/1.2)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799300810-05HO8X1GE7JP5GO1RAMU/AF18HR+0753+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Chloe Bayliss in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799305631-3NTHRU27K8F8J6CUXC13/AF18HR+1044+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Morgan Maguire in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799306203-HE3QRGAW0XCEFWQV5WFM/AF18HR+1468+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Morgan Maguire and Chloe Bayliss in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799309861-34ZA1SJIL8SVAVR5EM6Q/AF18HR+1632+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Chloe Bayliss and Yure Covich in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799310398-ECWM3XVJO719C92MCP0W/AF18HR+1755+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Cecilia Morrow and Kate Cheel Morgan Maguire in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799316218-UGCVYZIJ7E4WQ8RW5W0Z/AF18HR+1862+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Wendy Mocke Morgan Maguire in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799316484-KMB90J53K0XXWFVMC3JE/AF18HR+2045+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Chloe Bayliss and Yure Covich in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799319573-7QV97IAA5EPY0O54QQBO/AF18HR+2414+Delta+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Wendy Mocke, Chloe Bayliss and Kate Cheel Morgan Maguire in rehearsal for Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799495289-3ZYOL7ZHAQS5HGAJE12I/1813+AF18HP+6624+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Wendy Mocke and Kate Cheel in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799491010-F1S1WHW5Z41KXWHZQNS6/0074+AF18HP+2076C+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Kate Cheel in Home Invasion (the only image on a Canon 5DMkIII, with 16-35mm f/2.8, in this gallery!)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799492245-66NBE2VMN7FV2023WWKL/1282+AF18HP+6127+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Cecilia Morrow, Morgan Maguire and Chloe Bayliss in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799496984-46ZYLC79B498VS6Z1LCK/2340+AF18HP+7124+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Cecilia Morrow, Morgan Maguire and Chloe Bayliss in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799499646-NL3JFGB7ASV2FMVNDNYW/2828+AF18HP+7572+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Morgan Maguire in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799498806-ELKULCBPI0VL1MPUZZ5M/2413+AF18HP+2027+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Kate Cheel and Cecilia Morrow in Home Invasion (Fuji X-T2 with 35mm f/1.4)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799502667-J7NA44IZN3W3YQVNBIDG/2981+AF18HP+7725+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Chloe Bayliss and Yure Covich in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799503601-XRV41SQ26T6R2AO5JZ5Y/3326+AF18HP+8022+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Cecilia Morrow, Morgan Maguire and Chloe Bayliss in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522799505432-7G7LVF4CJWCBPCY6LIUL/3515+AF18HP+8211+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Kate Cheel in Home Invasion (Fuji X-H1 with 16-55mm f/2.8)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1522803021563-BIZ8BUF9ARU2W3RTXY3Q/4026+AF18HP+8643+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: testing &amp;amp; transition</image:title>
      <image:caption>Cast, crew &amp; author on stage at the Old 505 Theatre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2018/3/photographing-the-arts-inclusion-exclusion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1518566736662-Q9U5KL862U9EIXRC4MKF/AT17ME+0139+RT+NBP+Lighter+Sq+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: inclusion &amp;amp; exclusion</image:title>
      <image:caption>Metamorphoses for Apocalypse Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1518566736917-MAW6LL5RVZZHNMSSE4U5/AT18ME+0009+RT+NBP+Sq+Crop+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: inclusion &amp;amp; exclusion</image:title>
      <image:caption>Metamorphoses for Apocalypse Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1518566740217-97NZ6E518Y8L1LDI5AVF/AT18ME+0088+RT+NBP+Sq+Crop+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: inclusion &amp;amp; exclusion</image:title>
      <image:caption>Metamorphoses for Apocalypse Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1518566740222-SO2UN4G7C0MZ5DH3VXLN/AT18ME+0195+RT+NBP+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: inclusion &amp;amp; exclusion</image:title>
      <image:caption>Metamorphoses for Apocalypse Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1520318677648-D1YU05T8SUJOSY9YZZDW/0966+AT18MR+9130+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: inclusion &amp;amp; exclusion</image:title>
      <image:caption>Apocalypse Theatre production of Metamorphoses, directed by Dino Dimitriadis</image:caption>
    </image:image>
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      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517202967866-WSWQE6XQYPAY0WQS1L0B/Unique+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203083523-NUG9971CY7ZBWEB7U5OU/0272+RL18TW+5175+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517208142794-W7FD24EXQEI1NI0O7IGY/0337+RL18TW+5219+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203083523-VO2U7GSIM176MDHYVL68/0494+RL18TW+5367+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203087977-B8KTQEIA671CKYTX0MPN/0781+RL18TW+7283+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203098633-XJYNW9UHGMT83I5E7T6V/1805+RL18TW+6436+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203093791-PQ8W4OIYT0L62KFHKTOQ/1135+RL18TW+5879+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203095854-RN3FGL81EBWDE8H7LLHN/1434+RL18TW+6109+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203089824-NPHWJ8HYN7B4LTPYE9E3/1042+RL18TW+7311+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203102082-OVFOT681P7LYA7N2EGMI/2019+RL18TW+6586+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>An assorted few are convinced they are stuck on a spinning revolve, in There Will Be A Climax.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203671250-F7VG7W4952NIIEE84TU5/2144+RL18TW+7522+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1517203692590-TH4JMO9OSNBBQOH0WPKW/There+Will+Be+A+Climax+Cast+Reaction.jpg</image:loc>
      <image:title>Blog Archive - There Will Be A Climax at the Old Fitz Theatre, Sydney</image:title>
      <image:caption>The cast &amp; crew seeing the first images from the show, after the dress rehearsal that night (photo by Alex Berlage).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/12/the-lord-of-the-rings-the-two-towers-wellington-premiere-15-years-on</loc>
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    <priority>0.5</priority>
    <lastmod>2021-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133477468-JP0E8GWD44X9RBAC90TU/T3+223+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on - The Lord Of The Rings: The Two Towers premiere in Wellington, New Zealand.</image:title>
      <image:caption>Dominic Monaghan and Elijah Wood chase the camera at the Australasian Premiere of The Lord Of The Rings: The Two Towers in Wellington, New Zealand.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133157754-JV4STBDVR7KUI18IWE5Q/Gollum+200+V50+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Crew from Weta Workshop lift a giant ring aloft outside the Embassy Theatre in Wellington</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133161890-BM1O7UK79MDZBTFQYI0J/Gollum+278+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop crew wait on the roof of the Embassy Theatre in Wellington</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop founder Richard Taylor steadies the ring on the awning of the Embassy Theatre</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133167344-WPZBZ9RGJM0M799ETS5Q/Gollum+513+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop's sculpture of Gollum sits atop the Embassy Theatre in Wellington</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133167346-YH03BQH7EHKXLFPZ2PU8/Gollum+559+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop's sculpture of Gollum sits atop the Embassy Theatre in Wellington</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133156932-F1N368F8U2FYS5R6IO8J/GD+062+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Months later, Weta Workshop's sculpture of Gollum is removed from the roof of the Embassy Theatre in Wellington</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513133310643-W2VB7JR0ZGXWWRUOH0T1/T3+019+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Wellington drag queen Polly Filla walks the red carpet as Dorothy from the Wizard of Oz, at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Crowds of autograph seekers at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>A relatively unknown young actor, Karl Urban, at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Producer Barrie Osborne at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop founders Richard Taylor and Tania Rodger, at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
    </image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Director Peter Jackson works his way down the long line of media at the Australasian Premiere of The Lord Of The Rings: The Two Towers, at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Cast and crew of Peter Jackson's The Lord Of The Rings: The Two Towers gather for the Australasian Premiere at Wellington's Embassy Theatre.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Percussion group Strike perform as flames leap on the front of Te Papa for at the Australasian Premiere of The Lord Of The Rings: The Two Towers.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143758821-LI5MWYW2E0SE1EAC8J9H/T3+385+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Dominic Monaghan and Elijah Wood outside Te Papa Museum, at the Australasian Premiere of The Lord Of The Rings: The Two Towers in Wellington, New Zealand.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143791900-ZNEDAMLARKUD878DD0AP/T3+385+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Weta Workshop founder Richard Taylor with fans outside Te Papa, in Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143094047-29TOC0DJ256NU48KC1OH/TPE+274+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Guardians at the entrance to Te Papa Museum for the Lord Of The Rings exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143079837-SEZXAF829JINUGUKH28V/TPE+048+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>A model of Sean Bean as Boromir showing Weta Workshop's incredible work, at the Lord Of The Rings exhibition.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143084910-Z50SSZ0SK3XZIUQUF8JC/TPE+085+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Costumes - including a couple I may have worn myself! - at the Lord Of The Rings exhibition.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143091349-6RXC93ZOKFKED8N6QKXH/TPE+195+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>The cave troll from Fellowship of the Ring, at the Lord Of The Rings exhibition.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143086392-SW0GXK5IBMT3DUMQG25Y/TPE+158+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>Elven archer armour from Helm's Deep, part of the Lord Of The Rings exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513143089276-M76PVNJR745686G2FTF6/TPE+186+160NC+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Two Towers Wellington Premiere - 15 years on</image:title>
      <image:caption>An orc from the mines of Moria, at Te Papa Museum for the Lord Of The Rings exhibition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/11/high-fidelity-at-the-hayes-theatre-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1511840985399-1X32H4MEMHE6HHIJB6RP/0343+HR17HF+2125+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre - Toby Francis in High Fidelity</image:title>
      <image:caption>Toby Francis in High Fidelity at the Hayes Theatre, Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513053153845-2OHT2VYM2F72ITSPTOUQ/2956+HR17HF+5219+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Alex Jeans as Bruce Springsteen and Toby Francis as Rob in High Fidelity at the Hayes Theatre, Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051143177-94MOBIHYES5RZS9NXV34/0206+HR17HF+2016+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Dash Kruck in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051147350-L1T2GYK5HN5I1OSQ0UPC/0534+HR17HF+3719+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Joe Kosky, Toby Francis and Dash Kruck in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051143399-XBCDPQ1KD2FE6K4PITOL/0230+HR17HF+2040+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Toby Francis as Rob in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051147585-P85WDQQPYMSNKP70TW85/0645+HR17HF+2255+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Teagan Wouters as Laura in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051151512-M6XC7TJTVKYV3VHN43MA/1152+HR17HF+4031+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Zoe Gertz &amp; Toby Francis in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Toby Francis and Dash Kruck in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051158666-1TNPUQ5Z6MLABYLUJIRL/1852+HR17HF+4526+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Toby Francis as Rob in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1513051156394-QDLLZXJJMGJDT2T0PH2Q/1393+HR17HF+4208+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Rob (Toby Francis) is confronted by his top five breakups (Jenni Little, Erin Clare, Madison Hegarty, Denise Devlin and Bronte Florian) and Laura (Teagan Wouters), in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
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      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Erin Clare as Marie LaSalle in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Nick Christo as Ian in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1511840954288-PQ0F8L2MYX3YZ7R9CM5Z/3278+HR17HF+3288+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - High Fidelity at the Hayes Theatre</image:title>
      <image:caption>Teagan Wouters as Laura, and Toby Francis as Rob, in High Fidelity at the Hayes Theatre</image:caption>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/12/wasted-by-kate-tempest-at-the-factory-theatre-sydney</loc>
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    <priority>0.5</priority>
    <lastmod>2018-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353791929-IGI1T80G54ZLVUVZASZD/4244+KC17WA+1959+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney - Eliza Scott as Charlotte, and Jack Crumlin as Danny, in Wasted</image:title>
      <image:caption>Eliza Scott as Charlotte and Jack Crumlin as Danny in Wasted, at the Factory Theatre, Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512358920825-PN6YB08Y73BBJVLWB1SH/3187+KC17WA+0887+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted, Eliza Scott as Charlotte, and Jack Crumlin as Danny in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353966497-9OLRVCRT9D5SGACAN2W5/2584+KC17WA+0284+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353970134-BXAUSDO6T2P0YDYF8YO0/2953+KC17WA+0653+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>Eliza Scott as Charlotte in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353969691-Q8N1Q0T4XS81F07X8ZBG/2647+KC17WA+0347+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353973275-DNTXG4ZTZUVR7NI2D8NR/2993+KC17WA+0693+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>Eliza Scott as Charlotte in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353979293-9OMK2U9DXVHK8S106YOZ/4258+KC17WA+1973+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted, Eliza Scott as Charlotte, and Jack Crumlin as Danny in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353973717-6OVP21NH0B8A5XL4F9Z0/3315+KC17WA+1028+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted and Eliza Scott as Charlotte in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353977489-7DFZRJMJZO3LYKNX1V51/4084+KC17WA+1798+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>Jack Crumlin as Danny in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512353977047-4F7ENIK37P321YRD2RJ0/3787+KC17WA+1500+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>David Harrison as Ted with Jack Crumlin as Danny in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512354095181-BHK0SZ22NL8B8BC7QBCD/4126+KC17WA+1840+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>Jack Crumlin as Danny, Eliza Scott as Charlotte, and David Harrison as Ted in Wasted</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1512354269725-9VC0EM2PX0ID6TM4WZ5Q/4366+KC17WA+2082+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Wasted by Kate Tempest at the Factory Theatre, Sydney</image:title>
      <image:caption>The cast &amp; crew of Wasted on stage at the Factory Theatre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/9/first-xv-theodora-2016</loc>
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    <priority>0.5</priority>
    <lastmod>2017-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497505648799-K3EXU0TZLML23GYOBDL6/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Theodora (2016)</image:title>
      <image:caption>Valda Wilson in Handel's Theodora at City Recital Hall, 2016 (click the image to embiggen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1505690503045-D9RAE84E9E9BOROI1R2Y/0823+PO16TH+7623+Pro+NG+%C2%A9+Robert+Catto+PRESS+IMAGE+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - First XV: Theodora (2016)</image:title>
      <image:caption>Valda Wilson in Handel's Theodora at City Recital Hall, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1505690503572-72OQ5HCHIGK3S2A18CYN/0877+PO16TH+7717+Pro+NG+%C2%A9+Robert+Catto+PRESS+IMAGE+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - First XV: Theodora (2016)</image:title>
      <image:caption>Valda Wilson in Handel's Theodora at City Recital Hall, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1505690505356-AQY50GJJHISL05EVIKNB/0949+PO16TH+7805+Pro+NG+%C2%A9+Robert+Catto+PRESS+IMAGE+Not+Print+QualityA.jpg</image:loc>
      <image:title>Blog Archive - First XV: Theodora (2016)</image:title>
      <image:caption>Valda Wilson in Handel's Theodora at City Recital Hall, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/9/first-xv-the-dapto-chaser-2015</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497504972194-C7U1OOZZCDECFNR5FCKS/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: The Dapto Chaser (2015)</image:title>
      <image:caption>Jamie Oxenbould, Noel Hodda, Danny Adcock and Richard Sydenham in a promotional image for The Dapto Chaser, 2015 (click the image to embiggen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497924753633-JF456USVX0XX044XVRZI/AT15DC+0789+Tech+Pan+Final+2+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: The Dapto Chaser (2015)</image:title>
      <image:caption>Jamie Oxenbould, Noel Hodda, Danny Adcock and Richard Sydenham in a promotional image for The Dapto Chaser, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497924753638-F9V5MEPU1CFM3KKHQUFE/AT15DC+0801+Tech+Pan+Final+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: The Dapto Chaser (2015)</image:title>
      <image:caption>Jamie Oxenbould, Noel Hodda, Danny Adcock and Richard Sydenham in a promotional image for The Dapto Chaser, 2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/9/first-xv-vivid-festival-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497504733065-3WVLJKELJR9ASI3QOWW7/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Vivid Festival (2014)</image:title>
      <image:caption>Lights at the Museum of Contemporary Art during Vivid, Sydney, 2014 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/8/first-xv-angels-in-america-part-1-millennium-approaches-at-belvoir-2013</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497504295811-1A8BP98D6H4TLW47XTMH/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Angels In America Part 1: Millennium Approaches at Belvoir (2013)</image:title>
      <image:caption>Luke Mullins as Prior Walter in Angels In America Part 1: Millennium Approaches at Belvoir (2013) (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/8/first-xv-the-rehearsal-playing-the-dane-at-the-new-zealand-international-arts-festival-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497504035248-J928Y7YHEFJ48NIA3GU3/First+XV+2010+144+NF10SS+8569+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: The Rehearsal, Playing The Dane at the New Zealand International Arts Festival (2012)</image:title>
      <image:caption>The Rehearsal, Playing The Dane by Pan Pan Theatre at the New Zealand International Arts Festival, 2010 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/8/first-xv-eleanor-catton-2011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497503826274-HSCTFGIGLDT9MZ5CCQC5/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Eleanor Catton (2011)</image:title>
      <image:caption>Eleanor Catton, author of The Luminaries, in 2011 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/8/first-xv-the-arrival-at-the-new-zealand-international-arts-festival-2010</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497852689394-BDTKGZWX98A8K879DPNO/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: The Arrival at the New Zealand International Arts Festival (2010)</image:title>
      <image:caption>Alison Bruce and Ella Becroft in Red Leap Theatre's production of The Arrival, at New Zealand International Arts Festival, 2010 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/7/first-xv-wellington-jazz-festival-2009</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497503228421-DJ5SBJEGMP20DI0TRJIA/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Wellington Jazz Festival (2009)</image:title>
      <image:caption>Wellington Jazz Festival, 2009 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/7/first-xv-giselle-at-the-new-zealand-international-arts-festival-2008</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497502562293-2F866P64CU7NK5ZQQUM7/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Giselle at the New Zealand International Arts Festival (2008)</image:title>
      <image:caption>Fabulous Beast Dance Theatre's production of Giselle at the New Zealand International Arts Festival, 2008 (click the image to embiggen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497581577641-XGLLSTHH30HQZVYBV3N2/NF8WW+4447+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: Giselle at the New Zealand International Arts Festival (2008)</image:title>
      <image:caption>Fabulous Beast Dance Theatre's production of Giselle at the New Zealand International Arts Festival, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497581577888-RCTEKCORHCDTZR30NCCP/NF8WW+4464+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: Giselle at the New Zealand International Arts Festival (2008)</image:title>
      <image:caption>Fabulous Beast Dance Theatre's production of Giselle at the New Zealand International Arts Festival, 2008</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/7/first-xv-marc-taddei-conducts-the-vector-wellington-orchestra-2007</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497502381515-2RIFRALS2QKOOUVZUQIQ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Marc Taddei conducts the Vector Wellington Orchestra (2007)</image:title>
      <image:caption>Marc Taddei conducts the Vector Wellington Orchestra (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/7/first-xv-tea-a-mirror-of-soul-at-the-new-zealand-international-arts-festival-2006</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497502181790-5ZZ998GQQAOAEPGLEZYI/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Tea: A Mirror Of Soul at the New Zealand International Arts Festival (2006)</image:title>
      <image:caption>A percussionist plays a hanging sheet of paper in Tan Dun's opera, Tea: A Mirror Of Soul at the New Zealand International Arts Festival 2006 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/7/first-xv-dead-letters-2005</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497501952169-C42PGZREDC1614YFGFWN/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Dead Letters (2005)</image:title>
      <image:caption>Yvette Reid as Ngaire in the short film, Dead Letters, filmed at Wellington Railway Station (click the image to embiggen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497576786366-AZ54NSP1P3OLTSE2LAQP/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: Dead Letters (2005)</image:title>
      <image:caption>James Cowley filming Yvette Reid for Dead Letters, 2005</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/6/first-xv-te-matarae-i-orehu-at-the-new-zealand-international-arts-festival-2004</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-26</lastmod>
    <image:image>
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      <image:title>Blog Archive - First XV: Te Matarae I Orehu at the New Zealand International Arts Festival (2004)</image:title>
      <image:caption>Te Matarae I Orehu perform at Wellington Town Hall during the New Zealand International Arts Festival, 2004 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/6/only-heaven-knows-at-the-hayes-theatre-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-01</lastmod>
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      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney - Matthew Backer in Only Heaven Knows</image:title>
      <image:caption>Matthew Backer in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483693961-WI4D1CCQEMKIW7Q5WRWS/0067+LP17OH+9295+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Hayden Tee in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Ben Hall in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483193553-8E7W2LYO2T9T541AILJ9/0243+LP17OH+9622+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Matthew Backer and Tim Draxl in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483196491-7FEC1170Y7TCQHV9ZTNZ/0569+LP17OH+9952+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl and Ben Hall in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483200793-XNREZN4YAB5D90GOAL4I/0902+LP17OH+0301+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Blazey Best in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483197331-CQ7I3SRTCQVAXKJ96MK8/0623+LP17OH+0010+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl and Ben Hall in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483201277-LRZM5CDPNCIXS77RCEH4/0917+LP17OH+0322+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Hayden Tee in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483203640-3L8BT9ZK5WZXEHIXDXBU/1027+LP17OH+0433+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Ben Hall and Tim Draxl in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483204780-9EW9C47ODJUXWJUO4X69/1194+LP17OH+0601+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Blazey Best in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483205477-YJU0YKMN924H24W6F7TR/1700+LP17OH+0810+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl and Ben Hall in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497483324215-8HBT6H305X2URK0TXMUQ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>The cast of Only Heaven Knows at the Hayes Theatre, Potts Point - clockwise from left, Matthew Backer, Hayden Tee, Tim Draxl, Blazey Best, and Ben Hall.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl and Matthew Backer in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497489206150-UWYNF69NIJBQLKPJ3SDT/2827+LP17OH+8638+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497489205096-E26N9RJZAQZJNQH7JZ5X/2801+LP17OH+8612+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Tim Draxl and Ben Hall in Only Heaven Knows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497485009530-DBE4318DM9EQP5HD3PKF/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Only Heaven Knows at the Hayes Theatre, Sydney</image:title>
      <image:caption>Cast &amp; crew of Only Heaven Knows</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/6/first-xv-the-lord-of-the-rings-the-return-of-the-king-premiere-2003</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497244141291-EPPWTQEW52SK6EZOO0EU/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - First XV: The Lord Of The Rings: The Return Of The King premiere (2003)</image:title>
      <image:caption>The Lord Of The Rings: The Return Of The King world premiere, 2003 (click the image to embiggen)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/6/i-love-you-now-at-darlinghurst-theatre-company-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588242345-10CXGUQPHE7P4YY0C18U/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney - Paul Gleeson &amp; Jeanette Cronin in I Love You Now</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497591110121-T5RI54EOK3KMI097LO0E/1294+DT17IL+0648+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Darlinghurst Theatre Company presents the world premiere of I Love You Now, a sexy romantic tragi-comedy about love, desire…plus tango! Featuring live music written &amp; performed by Max Lambert and Roger Lock. Leo loved June, but now he loves Michelle. June is having an affair with Rob, Leo’s brother. On the side, Leo is also having an affair with Melissa, the nanny. Meanwhile, June is also seeing Helmut, her personal trainer. Jeanette Cronin’s wonderful comedy and love puzzle takes a long hard look at intimacy. Cast: Jeanette Cronin &amp; Paul Gleeson Director: Kim Hardwick Production Designer: Isabel Hudson Lighting Designer: Martin Kinnane Photo by Robert Catto, on Friday 9 June, 2017. Please credit &amp; tag the photographer when images are used - @robertcatto on Instagram &amp; Twitter, @robertcattophotographer on Facebook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588099045-3ZWD0EIF8ON1ZAJG6V2M/0610+DT17IL+9954+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588096988-1UCDL028VQFY4QQK92KW/0320+DT17IL+9720+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Jeanette Cronin &amp; Paul Gleeson in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588106146-DYTV9U0XZABQTK0S85DQ/1493+DT17IL+0855+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588096310-FG138W1GBVZ1B2OHNB5X/0546+DT17IL+9289+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588103137-BJSTDMZ130TBM14S583M/1035+DT17IL+0382+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588102210-JBJRKYTSDMMGBCBFJJKX/0743+DT17IL+0088+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588107280-3C9NO19K8EI1K0AVPE3H/1542+DT17IL+0904+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Jeanette Cronin &amp; Paul Gleeson in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497588099730-PFB7Q7AL9B68MR9BAI99/0638+DT17IL+9982+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Paul Gleeson &amp; Jeanette Cronin in I Love You Now at Darlinghurst Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497591633839-TQ02NIRRFIX1PEPQN2HS/0223+DT17IL+9623+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Darlinghurst Theatre Company presents the world premiere of I Love You Now, a sexy romantic tragi-comedy about love, desire…plus tango! Featuring live music written &amp; performed by Max Lambert and Roger Lock. Leo loved June, but now he loves Michelle. June is having an affair with Rob, Leo’s brother. On the side, Leo is also having an affair with Melissa, the nanny. Meanwhile, June is also seeing Helmut, her personal trainer. Jeanette Cronin’s wonderful comedy and love puzzle takes a long hard look at intimacy. Cast: Jeanette Cronin &amp; Paul Gleeson Director: Kim Hardwick Production Designer: Isabel Hudson Lighting Designer: Martin Kinnane Photo by Robert Catto, on Friday 9 June, 2017. Please credit &amp; tag the photographer when images are used - @robertcatto on Instagram &amp; Twitter, @robertcattophotographer on Facebook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497591634069-RMF7ZVXNEFA1LTDEVDI6/0966+DT17IL+0311+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Darlinghurst Theatre Company presents the world premiere of I Love You Now, a sexy romantic tragi-comedy about love, desire…plus tango! Featuring live music written &amp; performed by Max Lambert and Roger Lock. Leo loved June, but now he loves Michelle. June is having an affair with Rob, Leo’s brother. On the side, Leo is also having an affair with Melissa, the nanny. Meanwhile, June is also seeing Helmut, her personal trainer. Jeanette Cronin’s wonderful comedy and love puzzle takes a long hard look at intimacy. Cast: Jeanette Cronin &amp; Paul Gleeson Director: Kim Hardwick Production Designer: Isabel Hudson Lighting Designer: Martin Kinnane Photo by Robert Catto, on Friday 9 June, 2017. Please credit &amp; tag the photographer when images are used - @robertcatto on Instagram &amp; Twitter, @robertcattophotographer on Facebook.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497587896235-UFPUZV6OWUEY8L9FVG05/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - I Love You Now at Darlinghurst Theatre Company, Sydney</image:title>
      <image:caption>Cast &amp; crew of I Love You Now</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/6/first-xv-dave-douglas-quintet-at-the-wellington-jazz-festival-2002</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1496969448451-LEK7RKR1XO5OI1EUJGMN/First+XV+2002+DD+056+KC25+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - First XV: Dave Douglas Quintet at the Wellington Jazz Festival (2002)</image:title>
      <image:caption>Dave Douglas at the Wellington Jazz Festival, 2002 (click the image to embiggen)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1497411998087-0MHP55AEYK3ZOQGXLSKF/Screen+Shot+2017-06-14+at+1.43.51+PM.png</image:loc>
      <image:title>Blog Archive - First XV: Dave Douglas Quintet at the Wellington Jazz Festival (2002)</image:title>
      <image:caption>A glimpse of this image on my 2002-era website, designed by Springload.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/4/photographing-the-arts-turning-a-3d-stage-into-a-2d-image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577229996-0YVX0LWNGTTWD3IYB3C0/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Michael McStay in Terry Johnson's Hysteria, at Darlinghurst Theatre Company in Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492582836117-PWYSN6B2KYQP2Z68RCA6/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Wendy Strehlow in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577913789-L7FUIVU0KUSY1QRXHKIF/0053+DT17HY+2267+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577915104-OC4QK6ZPF82DTSZ57JIU/0199+DT17HY+2448+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Miranda Daughtry in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577916433-XI573U5YCXJASYU6T8D0/0233+DT17HY+2482+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Miranda Daughtry in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577918212-GFDEDZVB75EQRP0J53HU/0682+DT17HY+2935+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Miranda Daughtry and Jo Turner in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577916647-7MK37SIPRKYQM2U8OQL9/0500+DT17HY+2751+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Miranda Daughtry in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577919870-5O72AHH0DG1BGVEV43A7/1094+DT17HY+3287+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Michael McStay in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577920977-V40545NRARLC3HVSN40W/1907+DT17HY+3896+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Miranda Daughtry in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492578169286-LDXHRQATYY91KQCEP0VT/1201+DT17HY+3385+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Miranda Daughtry, Wendy Strehlow and Jo Turner in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492577922090-CJBO7WK9U4R4K42VN7F1/2531+DT17HY+4449+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Miranda Daughtry and Michael McStay in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492583855323-2T3AHVI7AQSR2MYJI5IQ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner in Hysteria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491978213961-OBMGR5V75TR6ID5ATRC2/1295+DT17HY+3479+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Michael McStay and Miranda Daughtry in Hysteria. It's a bit of a static (or calm) composition here, in that both actors are the same distance from the camera, and the wall behind them is straight on - which suggests, along with their relaxed poses, that it's not a very active scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491978214209-ECD5HOIT4TMS6F1BMXJB/1307+DT17HY+3491+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Michael McStay as Dali and Miranda Daughtry in Hysteria. I like the angle of this one more, in that the lines of the couch are bringing us into the image, and Michael's legs are coming out at a different angle. (There's been a lighting change since the previous image, which also helps.) To me this has a bit more energy to it than the previous frame, even though they've hardly moved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491978215797-FJ60633IU6N3J7GFM3G3/1373+DT17HY+1919+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner, Michael McStay and Miranda Daughtry in Hysteria. Similar angle to the previous image, but I've swapped lenses to bring Jo (as Freud) into the frame, and included the full width of the set for scale. Making the performers look small by comparison to the set also suggests something of a static, calm scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491978216974-N7SM56LE7B261PAHBDNV/1558+DT17HY+3676+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Michael McStay and Miranda Daughtry in Hysteria. This is on a similar angle to the previous two images, but I've switched to a vertical orientation to include the height of the door &amp; bookshelves behind them, while keeping them both in the frame. This one would also work really well as a square crop though, so it gives good Instagram options. By containing the performers in quite a tight frame, the emphasis here is on the action between them - quite a contrast to the wider, peaceful view in the previous image.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492576296689-LGFCWUIV0HGGICT386NY/1626+DT17HY+3744+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner and Miranda Daughtry in Hysteria. I've skirted right to the edge of the stage here, cropping Michael (Dali) out of the frame and putting the emphasis onto Freud's reaction to what he's being told by the mysterious woman in front of him.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491978218133-3THXDMG7KAQ1FP18NHTE/1650+DT17HY+3768+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner, Michael McStay and Miranda Daughtry in Hysteria. Within 45 seconds of the previous image, I'm all the way at the other side of the stage capturing the reverse angle, getting Miranda and Michael's reactions to Freud in the foreground, but on a wider angle view (and a landscape frame) to incorporate more set around them. I like having Michael (Dali) right on the edge of the frame, here - it suggests he's not a key part of the action, that the balance of power is really between Miranda and Jo (Freud) at the centre of the frame.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1492578300662-G47Y0MCWEBHW4ZF87LWS/2665+DT17HY+2288A+Pro+NG+%C2%A9%C2%A0Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: turning a 3D stage into a 2D image</image:title>
      <image:caption>Jo Turner in Hysteria</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/4/photographing-the-arts-creating-depth-in-production-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074139920-7KLK9M9LRUISM285JMOF/CS17ST+0278+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074140883-TOOX079YLJ5IQRO8NNO9/CS17ST+0377+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074139917-LUQAZBLZDT1NEFY4H4GV/CS17ST+0155+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491888855102-YL2BRCARNOKWQAETEUOE/0541+CS17SP+9554+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright in Stones In His Pockets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074040298-QFJR7UT7PO1C61P9X5QN/0026+CS17SP+8656+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Sean Hawkins and Grant Cartwright in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074042110-BD9KYH6TR5IPWC62HQQG/0279+CS17SP+9100+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074040673-4Z21SDL0FNH7N5UILN6H/0204+CS17SP+8954+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074043260-1U2GR74WIWJWCU2ERO3I/0310+CS17SP+9147+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074046128-ETV6NR0DB4QPYN57C4PK/0519+CS17SP+9509+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Sean Hawkins and Grant Cartwright in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074044775-HR5917T014PTAM3NAA53/0403+CS17SP+9324+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Sean Hawkins and Grant Cartwright in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074047018-44ONHSMOZU6JNON0TPOP/0536+CS17SP+9539+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074049073-LOFI8VID3QUKGE53KI3Q/1069+CS17SP+0806+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Sean Hawkins and Grant Cartwright in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1490074048161-1Q5Z92U7F4WZ7S68ULBZ/0932+CS17SP+0474+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1491963350685-2X40QPUS4W50D89A4Y25/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: creating depth in production images</image:title>
      <image:caption>Grant Cartwright and Sean Hawkins in Stones In His Pockets</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2017/2/photographing-the-arts-working-with-a-traverse-stage</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488255373753-CCKK7AKYTID1VFNJNCR0/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard as Sophie and James Raggatt as Jonah in Blink at Bakehouse Theatre, Kings Cross</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488255433502-7ZMVNQGHEA10R6KLO108/0162+SL17BL+6927+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard &amp; James Raggatt in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488255436175-PI6OGI62JUBAQQ4F3G1P/0582+SL17BL+7253+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt and Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488257604974-8V81D5WK6R1AOYJWB3P3/0518+SL17BL+7189+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard &amp; James Raggatt in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488255433924-S35JKWEVBR036VN864JX/0403+SL17BL+7105+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt and Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244455559-TK09NR2B6CG6MUTW34EC/0101+SL17BL+6875+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt as Jonah in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244457006-X2ZLZ3ZW0L4R5NF9YGJ4/0128+SL17BL+1860+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard as Sophie in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244458133-U7CIRDCAG84SIFMX70R0/0184+SL17BL+6950+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard &amp; James Raggatt in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244459084-IEA0OPR6ZQU9YYNAQWP2/0212+SL17BL+6978+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244550265-X9KV7HGUC1YP6WBUZN0C/1316+SL17BL+7955+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt &amp; Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244462691-N0GQ55TZAZNO53MWEJV0/0607+SL17BL+7278+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt &amp; Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244466557-2EPRM9KJWWD0XN0Z69IK/0727+SL17BL+7394+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244796395-7R069378AZHAZN2U0V7H/0851+SL17BL+7495+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>James Raggatt &amp; Charlotte Hazzard in Blink</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1488244606291-C4Z3T0IPQNRVFLCXNEVD/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with a traverse stage</image:title>
      <image:caption>Charlotte Hazzard &amp; James Raggatt in Blink</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/12/a-few-of-my-favourite-things-2016-edition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1482288700383-PQ9653OJCJ20OWPNK10T/0040+ST16TM+8272+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.JPG</image:loc>
      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Grant Cartwright in Thomas Murray and the Upside Down River.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1482288700379-4EXLL5V9UD6ZC1LW749V/1140+ST16TM+8840A+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.JPG</image:loc>
      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Nicholas Papademetriou and Grant Cartwright, in Thomas Murray and the Upside Down River.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Hugh Tidy, Percussion</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Bridget O'Donnell, Violin</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Nathan Greentree, Viola</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Julia Doukakis, Viola</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Justin Sun, Bassoon</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Helen Dallimore in Defying Gravity</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Aaron Tveit and David Harris in Defying Gravity</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Sutton Foster in Defying Gravity</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Helen Dallimore and Joanna Ampil in Defying Gravity</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Betty Buckley in Defying Gravity</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Deborah Conway sings Oh! You Pretty Things, with Clayton Doley and the Sydney Symphony Orchestra</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Jaime Hadwen &amp; Tim Maddren in Cinderella</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Tim Maddren &amp; Jaime Hadwen in Cinderella</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>The Shadow Box - Kate Raison</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>The Shadow Box - Mark Lee</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>The Shadow Box - Jeanette Cronin</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>The Shadow Box - Ella Prince</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Stefanie Jones performing at the Rob Guest Endowment Gala</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Jamie Oxenbould and Sean Hawkins in Stones In His Pockets</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Jamie Oxenbould and Sean Hawkins in Stones In His Pockets</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Jamie Oxenbould and Sean Hawkins in Stones In His Pockets</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1482290759698-FY06FVUTM2SS1IZV3SUR/CS16SP+0382+Pro+NG+RT+%C2%A9+Robert+Catto+Not+Print+Quality.JPG</image:loc>
      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Jamie Oxenbould and Sean Hawkins in Stones In His Pockets</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Sing to Me - Emily Havea</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Crux - Jude Gibson</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from Proof Of Life at the Kage Collective</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from Waiting For The Parade, at the Kage Collective</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from Proof Of Life at the Kage Collective</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from Renewtown at the Kage Collective</image:caption>
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    <image:image>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from Waitangi Day at the Kage Collective</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Image from 8XJUL16 at the Kage Collective</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Valda Wilson in Pinchgut Opera's Theodora</image:caption>
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      <image:title>Blog Archive - A Few Of My Favourite Things (2016 Year In Review Edition)</image:title>
      <image:caption>Virginia Gay in Carols by Cabaret at the Hayes Theatre</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on - Dominic Monaghan, Elijah Wood &amp; Billy Boyd at the Australasian Premiere of The Lord Of The Rings: The Fellowship Of The Ring in Wellington, New Zealand.</image:title>
      <image:caption>Dominic Monaghan, Elijah Wood &amp; Billy Boyd at the Australasian Premiere of The Lord Of The Rings: The Fellowship Of The Ring in Wellington, New Zealand.</image:caption>
    </image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>The Gondorian army make an appearance at the premiere</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Peter Jackson at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Street entertainment at The Lord Of The Rings: Fellowship Of The Ring premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Orlando Bloom at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Richard Taylor &amp; Tania Rodger at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Elijah Wood at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Cliff Curtis, Lawrence Makaore and Temuera Morrison at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Producer Barrie Osborne at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Craig Parker, Orlando Bloom, Peter Jackson, Elijah Wood, Billy Boyd, Barrie Osborne, Hugo Weaving, Dominic Monaghan, and host Jay Lagaia at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Peter Jackson being interviewed at the Lord Of The Rings: Fellowship Of The Ring Premiere at the Embassy Theatre, Wellington, New Zealand.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Too many names to count! Most are crew from Weta Workshop, but I also see the delightful miniatures cinematographer Alex Funke, plus Alan Lee (twice?) and Peter Jackson in there.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>The Cave Troll going up on the Embassy Theatre, and the Gondorian army at the premiere.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Billy Boyd &amp; Elijah Wood signed the page with my photo of them - Billy said 'YOU took that?! I've seen that photo EVERYWHERE!' Lovely guys, both of them.</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Orlando Bloom at the Premiere, and Richard Taylor &amp; Tania Rodger with some of their awards for the film. (Richard later told me this was the nicest photo of them together they'd ever had. Awww!)</image:caption>
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      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Author Brian Sibley and I met up for lunch and swapped autographs - he referred to his heavily-autographed copy of the book as 'my retirement plan'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1481092713598-A0WF24YBX8GYCKYU41ZS/RC16XP+3351+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - The Lord Of The Rings: The Fellowship Of The Ring Wellington Premiere - 15 years on</image:title>
      <image:caption>Not my photos on this page, but at least I got PJ to sign it somewhere. (I think he's written in there twice, actually.)</image:caption>
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    <loc>https://www.robertcatto.com/blog-archive/2016/12/carols-by-cabaret-at-the-hayes-theatre-sydney</loc>
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    <lastmod>2018-10-31</lastmod>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Carols by Cabaret cast end the show with a sing-a-long medley.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Co-host (and producer) Marika Aubrey sings Have Yourself a Merry Little Christmas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1481677733078-F5DT5DLIQBEMUGM7RTZ6/0160+HR16CC+5484+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Helen Dallimore sings Santa Claus Got Stuck In My Chimney</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Laura Bunting &amp; Kerri-Anne Greenland sing Silent Night</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Trevor Ashley performing A Simple Wish</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Dash Kruck (as Hillary Clinton) sings Blue Christmas</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1481677739821-X7A5IER3ZSP9D4HSTQCA/0482+HR16CC+5949+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Sheridan Harbridge sings Auld Lang Syne as Judy Garland, with health &amp; safety supervision by Mike Whalley.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1481677741659-0TRZ51ZUMY1M3V2OZZ6A/0609+HR16CC+4761+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Virginia Gay performs All I Want For Christmas Is You</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1481677737238-W76OWW10XBSAQ5U4OTGP/0427+HR16CC+4366+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
      <image:caption>Lara Mulcahy and Rob Johnson sing Rudolf The Red Nose Reindeer</image:caption>
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    <image:image>
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      <image:caption>Martin Crewes sings The First Noel</image:caption>
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      <image:caption>Angelique Cassimatis performs Grown Up Christmas List with Shaun Rennie</image:caption>
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      <image:title>Blog Archive - Carols by Cabaret at the Hayes Theatre, Sydney</image:title>
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    <loc>https://www.robertcatto.com/blog-archive/2016/5/last-night-of-the-proms-with-the-sydney-symphony-orchestra</loc>
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    <lastmod>2018-10-31</lastmod>
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      <image:title>Blog Archive - Last Night Of The Proms with the Sydney Symphony Orchestra</image:title>
      <image:caption>Guy Noble conducts the Last Night Of The Proms concert, with the Sydney Symphony Orchestra</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Last Night Of The Proms with the Sydney Symphony Orchestra</image:title>
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      <image:title>Blog Archive - Last Night Of The Proms with the Sydney Symphony Orchestra</image:title>
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      <image:title>Blog Archive - Last Night Of The Proms with the Sydney Symphony Orchestra</image:title>
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      <image:title>Blog Archive - Last Night Of The Proms with the Sydney Symphony Orchestra</image:title>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/12/pinchgut-opera-presents-handels-theodora-at-city-recital-hall-sydney</loc>
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    <lastmod>2018-10-31</lastmod>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Valda Wilson as Theodora</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1480558544528-L697N98GZ1XTD23W2DDL/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Erin Helyard conducting the Orchestra of the Antipodes and Cantillation.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Andrew Collis as Valens.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey as Didymus, with Ed Lyon as Septimus.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Ed Lyon as Septimus.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Valda Wilson as Theodora, with Caitlin Hulcup as Irene.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Caitlin Hulcup as Irene, with Cantillation Chorus, the Orchestra of the Antipodes on period instruments, and conductor Erin Halyard.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Valda Wilson as Theodora.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Caitlin Hulcup as Irene with Valda Wilson as Theodora.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Caitlin Hulcup as Irene with Valda Wilson as Theodora.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey as Didymus.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Caitlin Hulcup as Irene, with Valda Wilson as Theodora.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Valda Wilson as Theodora and Caitlin Hulcup as Irene, with Cantillation.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Caitlin Hulcup as Irene, with Cantillation.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey as Didymus with Ed Lyon as Septimus.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey as Didymus with Valda Wilson as Theodora.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1480555519902-V9OZSRJJSVAP6XOYOHH4/1388+PO16TH+8440+Pro+NG+%C2%A9+Robert+Catto+PRESS+IMAGE+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey, Ed Lyon, Andrew Collis and Valda Wilson.</image:caption>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Andrew Collis as Valens, and Valda Wilson as Theodora.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Christopher Lowrey, Andrew Collis and Valda Wilson with Cantillation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1480555651962-ST5107VGJXTOP96XWK6F/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Pinchgut Opera presents Handel's Theodora at City Recital Hall</image:title>
      <image:caption>Valda Wilson as Theodora</image:caption>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/11/rob-guest-endowment-gala-2016</loc>
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    <priority>0.5</priority>
    <lastmod>2016-11-18</lastmod>
    <image:image>
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      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Pianist Jack Earle performs at the Rob Guest Endowment gala in Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359071592-QVXW4N1WVO6HSV4LJ00R/0187+RG16EG+1630+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Finalists Du Toit Bredenkamp, Hilary Cole, Matthew Predny, Stefanie Jones, Genevieve Kingsford and Linden Furnell perform 'God I Hope I Get It' from A Chorus Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479360113968-9BBLS1IPPHHTN7ROGXY7/1526+RG16EG+2909+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Du Toit Bredenkamp performs 'Streets of Dublin' from A Man Of No Importance.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359071387-K3W3N5XWU81G4K7KE40V/0386+RG16EG+1807+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Stefanie Jones performs 'Disneyland' from Smile.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359402530-A19IGVUS2ODD6NN18P2M/1406+RG16EG+2789+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Hilary Cole sings 'Here I Am' from Dirty Rotten Scoundrels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359074087-HJBKW77M3578LJ7QYYM0/0996+RG16EG+2418+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Hilary Cole performs 'As Long As He Needs Me' from Oliver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359417786-Q4YK0BTGG29IX0BPBOJO/1311+RG16EG+2705+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Members of the Dream Lover cast perform 'Dream Lover'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359072385-PBFJH2MDGMDEYIK8ZPLT/0526+RG16EG+1946+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Gala hosts Lucy Durack and Penny McNamee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359404896-LJ1TJSHL9R0PEIRDOLXW/1744+RG16EG+3115+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>2015 Rob Guest Endowment winner Daniel Assetta performs 'Out There'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359074416-SSMTA07N6RPNFX2BEPCP/1165+RG16EG+2584+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Special guest Paulini performs 'I Have Nothing' from The Bodyguard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359571597-9R3UHN3VDT2IGRSR479P/0741+RG16EG+2162+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Genevieve Kingsford performs 'Light in the Piazza'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359571551-889G87TN9FMWL6WNBLXM/0910+RG16EG+2329+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Cast members from Aladdin perform 'Friendship', from Anything Goes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359927894-BH8D3GOW0AFV1ZDO1MQD/1958+RG16EG+3332+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Genevieve Kingsford performs 'My Strongest Suit' from Aida.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359200633-HRQO7VZQQXJM9H9VDJBM/1739+RG16EG+1586A+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>2015 Rob Guest Endowment recipient Daniel Assetta performs 'Out There'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479428060957-33LFBYYS1EELYJJC6RA3/1675+RG16EG+3058+Pro+NG+Sq+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Stefanie Jones sings 'Funny Honey', from Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359204074-GLR042KNB9VZH0OSNR4L/2047+RG16EG+3421+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Linden Furnell performs 'Moving Too Fast' from The Last Five Years.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359203193-NJQLJXJAQIJPTBTE5VOG/1872+RG16EG+3246+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Matthew Predny sings 'What Do I Need With Love' from Thoroughly Modern Millie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359523200-RQ4Z2FC57OEIB9OLAY3T/2535+RG16EG+1642A+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>An appreciative audience enjoys the show at the Lyric Theatre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359201671-MNXN28BVWLFIQX7UHC8O/1801+RG16EG+3174+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Hosts Lucy Durack and Penny McNamee prepare to announce the winners.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479425098580-3IXVJFBOLPHPB6TBBBCZ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Finalists Matthew Predny, Hilary Cole, Linden Furnell, Stefanie Jones, Du Toit Bredenkamp and Genevieve Kingsford.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1479359726631-7H7XJHX6VNMCEI9P24UV/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Linden Furnell wins the Rob Guest Endowment at the Lyric Theatre, Sydney</image:title>
      <image:caption>Rob Guest Endowment 2016 winner Linden Furnell.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/10/kage-collective-october-issue-surfaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1476836064589-Q4PXZMWB2KRR6UGOASG9/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Kage Collective October Issue: Surfaces</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1476836264429-TFH296PD94BKXL31RMCX/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Kage Collective October Issue: Surfaces</image:title>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/9/september-kage-collective-issue-out-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473897717325-N7WXBZ0TMV296ED3O1EQ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - September Kage Collective issue out now</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473899130209-B71X3QLFSHBOHTP55H12/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - September Kage Collective issue out now</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/9/new-musica-viva-belvoir-2017-seasons-launched</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473144320017-ZHPLFV3DPIE8XKR90FHP/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - New Musica Viva &amp; Belvoir 2017 seasons launched</image:title>
      <image:caption>Annabelle Traves performing at a Musica Viva Masterclass with Maxim Vengerov</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473211689436-3L68JSL5M3JKI8RMMG11/IMG_8738.JPG+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - New Musica Viva &amp; Belvoir 2017 seasons launched</image:title>
      <image:caption>Musica Viva 2017 brochure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473211460977-7C9X7FN6KC5JDSGUH5HU/IMG_8757.JPG+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - New Musica Viva &amp; Belvoir 2017 seasons launched</image:title>
      <image:caption>Belvoir 2017 Brochure</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473145066253-9DMJZ6IBWB5JKSDCJG7H/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - New Musica Viva &amp; Belvoir 2017 seasons launched</image:title>
      <image:caption>Jacob Rajan in The Guru of Chai, by Indian Ink Theatre Company</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1473228190635-OSP77YBPNYUJFSYO12LP/David+Bowie+Melbourne+Festival</image:loc>
      <image:title>Blog Archive - New Musica Viva &amp; Belvoir 2017 seasons launched</image:title>
      <image:caption>Melbourne Festival brochure</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/8/kage-collective-august-issue-out-today</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1471233449110-M7RRCVYYV6VD9KNK1EFY/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Kage Collective August issue out today</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1471233679066-XWXBAVSPNTJEF5ZZHCQK/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Kage Collective August issue out today</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/7/witches-with-the-sydney-symphony-orchestra</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468900874104-59KO250NZOI6CW5FJ4TX/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Kellie Dickerson, Helen Dallimore, Lucy Durack, Ben Lewis, Amanda Harrison and Jemma Rix performing on stage with the Sydney Symphony Orchestra. (Has anyone seen this selfie yet?)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468911420062-Q92VMN1H3SG6QHLJ59WV/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Jemma Rix, Lucy Durack, Amanda Harrison and Helen Dallimore at the recording studio, a few months prior to the concert.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468910057122-KNPLMUP456J1CFIF83U3/1013+SS16WC+5424+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Jemma Rix, Helen Dallimore and Ben Lewis</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468901024274-PCMJIQJHSTAGHP4MDE5N/0532+SS16WC+5028+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Amanda Harrison</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468910054267-3A9AW3R4NZA9VMAQE8Z0/0158+SS16WC+4739+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore, Lucy Durack and Ben Lewis</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468910054352-57JJX9BT8194PR1O4YN9/0660+SS16WC+5151+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468910074784-63D6NCEVJK7AVL87A711/2204+SS16WC+7859+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>The cast perform Defying Gravity from Wicked</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Ben Lewis and Lucy Durack</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468902857588-TF3JSF7AV5Q8XRP0C9XW/0370+SS16WC+4895+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore, Gemma Rix, Amanda Harrison and Lucy Durack</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468902829525-93K787S43QVDWUNHSVEJ/1521+SS16WC+5829+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Jemma Rix</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468910226425-4HJP8JKAKQO9DDW32CXE/1110+SS16WC+5521+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore, Jemma Rix, Ben Lewis, Amanda Harrison and Lucy Durack</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1468911201367-JE3K9FMK6J4Y3SWUIP09/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>The cast with the Sydney Symphony Orchestra.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore and Lucy Durack</image:caption>
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      <image:title>Blog Archive - Witches with the Sydney Symphony Orchestra</image:title>
      <image:caption>Helen Dallimore, Lucy Durack, Amanda Harrison, Jemma Rix and Ben Lewis thank the audience at the Sydney Opera House.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/7/kage-collective-july-edition-out-today</loc>
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    <priority>0.5</priority>
    <lastmod>2016-07-18</lastmod>
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      <image:title>Blog Archive - Kage Collective July edition out today</image:title>
      <image:caption>Image from 'Proof Of Life', my latest essay at the Kage Collective</image:caption>
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      <image:title>Blog Archive - Kage Collective July edition out today</image:title>
      <image:caption>Facade, Riley St, Surry Hills</image:caption>
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      <image:title>Blog Archive - Kage Collective July edition out today</image:title>
      <image:caption>Fence &amp; ferns, Surry Hills</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/7/photographing-the-arts-what-makes-a-great-production-image-when-the-story-is-well-known</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jimmy Rees, Peter Everett, Craig Bennett, and Tim Maddren in Cinderella.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jaime Hadwen as Cinderella.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jaime Hadwen and Kev Orkian in Cinderella.</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jaime Hadwen and Kev Orkian in Cinderella.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Peter Everett, Craig Bennett, and Gina Liano in Cinderella.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>The cast of Cinderella.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Tim Maddren finds the glass slipper.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jimmy Rees searches for someone who fits the glass slipper.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jimmy Rees searches for someone who fits the glass slipper.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image when the story is well known?</image:title>
      <image:caption>Jaime Hadwen (Cinderella) and Tim Maddren (Prince Charming) dance at the ball at the State Theatre in Sydney.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/6/kage-collective-june-edition-out-now</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-16</lastmod>
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      <image:title>Blog Archive - Kage Collective June edition out now</image:title>
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      <image:title>Blog Archive - Kage Collective June edition out now</image:title>
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      <image:title>Blog Archive - Kage Collective June edition out now</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/5/david-bowie-nothing-has-changed-with-the-sydney-symphony-orchestra</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Tim Rogers sings Young Americans, with the Sydney Symphony Orchestra</image:caption>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Deborah Conway sings Oh! You Pretty Things, with Clayton Doley</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Steve Kilbey sings Diamond Dogs</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>iOTA sings Life On Mars</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Adalita sings Let's Dance</image:caption>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Tim Rogers sings Lazarus</image:caption>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>iOTA, Deborah Conway and Tim Rogers sing Five Years</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Conductor Benjamin Northey</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>Adalita with musical director Ashley Naylor, James Haselwood and Laurence Pike during Rebel Rebel</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>iOTA and Deborah Conway sing Suffragette City</image:caption>
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    <image:image>
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      <image:title>Blog Archive - David Bowie: Nothing Has Changed with the Sydney Symphony Orchestra</image:title>
      <image:caption>The final curtain call</image:caption>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/4/new-kage-collective-essays-out-now</loc>
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    <priority>0.5</priority>
    <lastmod>2016-04-18</lastmod>
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      <image:title>Blog Archive - New Kage Collective essays out now</image:title>
      <image:caption>Hollywood Hotel, Sydney</image:caption>
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    <image:image>
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      <image:title>Blog Archive - New Kage Collective essays out now</image:title>
      <image:caption>Waitangi Day, Sydney</image:caption>
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      <image:title>Blog Archive - New Kage Collective essays out now</image:title>
      <image:caption>Waitangi Day, Sydney</image:caption>
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      <image:title>Blog Archive - New Kage Collective essays out now</image:title>
      <image:caption>Mardi Gras, Sydney</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/4/suddenly-wellington-sort-of-grew-up-a-history-of-the-new-zealand-international-arts-festival</loc>
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    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Overcoat at the New Zealand International Arts Festival, 2004</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Festival Staff Portrait, 2004</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Overcoat, 2004</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Toi Mana, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734346469-WPKEFRYP2NXJQ6XSWIIN/NZFL+043+Provia+%C2%A9+Robert+Catto.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Anne Forbes &amp; Tim Denton as Festival mascots, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734346849-49ANOPQCR0CN3GXOWFC7/NF4TP+CRW_9279+Provia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Jarod Rawiri in The Prophet by Hone Kouka, 2004.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459736780995-SDLGW3YD2DYJEZL3RC1J/NF6TE+8456+Velvia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Tan Dun's opera Tea: A Mirror Of Soul, 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Carol Brown in Aarero Stone, 2006</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Parsifal, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734351584-6LOTDGKXGKVOT5PXWQTO/NF8LF+0079A+Provia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Lindbergh Flight / The Flight Over The Ocean directed by Francois Girard, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459736783307-WODP6U27QZJ276GB3SX1/NF8DC+9161+ps+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Dawn Ceremony, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734353156-2V99L28UAJAUZPRFWVB0/NF8L7+9394+Provia++%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Seven Deadly Sins, directed by Francois Girard, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734354469-N5MJ5UX4L5EU6DE5SBB6/017+NF8WW+5277+TechPan+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Robbie Magasiva in Where We Once Belonged, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734354497-CTCPGGAL5Z8P4MT2ZO63/NF8WW+4793+Provia++%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Fabulous Beast Dance Theatre's Giselle, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734359004-HUV7KTNS6ODNN6L0HHM1/087+NF10DC+2282-2+nn+ftl+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Dawn Ceremony, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734358200-E8VCOYGVV0D4AN7ZS4CY/244+NF10SU+5418-2+nn+ftl+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Sutra by Sidi Larbi Cherkaoui, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734360601-FEF0LPLTE4Y8H44HFD2L/076+NF10SS+8259+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Sound of Silence by Alvis Hermanis, New Theatre of Riga, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734360345-DXYBZ9SA9DYOOH67BF0F/207+NF10SS+8729+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Audience reaction to The Sound Of Silence, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734361658-TSQT0QCM3SADZR2MN03R/095+NF10IO+0349-2+nn+ftl+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Cirkus Cirkör's Inside Out, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459737104121-A0JZCY6HJB9BWKXRTKUS/013+259+NF10MT+7306-2+nn+ftl+Provia+%C2%A9+Robert+Catto+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>MTYLand by choreographer Claire O'Neil with Footnote Dance, 2010</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734362468-FHE22E5IIFKLBQK3A0CF/623+NF10AR+1697-2+nn+ftl+Provia+%C2%A9+Robert+Catto+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>The Arrival by Red Leap Theatre Co, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734363601-4OVF7KEYFJKBFNEILQYL/044+NF10TO+4938+nn+ftl+Provia++%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>T.E.O.R.E.M.A.T. by Grzegorz Jarzyna, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734363731-46E1SHEO96L1A0S8EKLW/009+351+NF10TO+5108+nn+ftl+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>T.E.O.R.E.M.A.T. by Grzegorz Jarzyna, 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459734366436-INRTVMME28P8YD5JJL50/0967+NF12WB+8142+Provia+%C2%A9+Robert+Catto.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Kneehigh Theatre's The Wild Bride, 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459737370827-7DPUFW6ET4PRDA168QXA/1307+NF12BB+1314+Provia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Frantic Assembly and the National Theatre of Scotland's Beautiful Burnout, 2012</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>James Thiérrée in Raoul, 2012</image:caption>
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    <image:image>
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      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>15 years of accumulated Festival t-shirts, 1998-2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1459733962662-DJKJA7VSKB1JIUUC59NG/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - ‘Suddenly Wellington sort of grew up’ - 30 years of the New Zealand International Arts Festival</image:title>
      <image:caption>Festival Programme Launch, 2006</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/2/sydney-symphony-orchestra-fellowship-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
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      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>The Sydney Symphony Orchestra Fellowship for 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579334758-S398NFJQ0DGR45DKJZ6A/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>Behind the scenes of the portrait shoot, on location at Carriageworks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579073881-05UTE83X1JSQUJM3OR47/108+SS16FE+0140+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Hugh Tidy, Percussion</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579102634-I31AV8CSXYVAO67UMRHH/088+SS16FE+0119+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Bridget O'Donnell, Violin</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579077772-HNVMZBBCMQNFR0THEZC8/240+SS16FE+0308+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Joshua Oates, Oboe</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579091509-38J1KFX3M822AQE3L13X/279+SS16FE+0359+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - HyungSuk Bae, Cello</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579096370-CUQDT7T6GNZFMO1MJ1GA/528+SS16FE+0662+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Stephanie Vici, Flute</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579075819-BXV0HZIGSQX9GP7HDMUH/153+SS16FE+0199+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Nathan Greentree, Viola</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579732820-BR7GG2RRELSKTH23CZPZ/381+SS16FE+0475A+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Julia Doukakis, Viola</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455579094443-MYTRTKC889HYVKGU4RMN/329+SS16FE+0415+Pro+RT+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Justin Sun, Bassoon</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582748362-W2AL1VG5XVSFOMZCNSY4/IMG_7513+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582754865-DPDIC6E4VV6LIYZZJJ46/IMG_7512+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016 - Kate &amp; Cindy from You Beauty doing hair &amp; makeup</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582748207-W9ZWMU0NDMJORKEL346N/IMG_7514+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582769079-JFEW7M0NK2XLBWWA8HMI/IMG_7510+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582762591-3EY2GVIO5SJAFMCDSDQG/IMG_7509+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582766650-Y62L8PG0VRCSV21YF9HJ/IMG_7508+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582770081-382CW8SUXH2NLO13S3R2/IMG_7507+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455582773174-JA2E8MGK7R4P5LZKL8JV/IMG_7506+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Sydney Symphony Orchestra Fellowship 2016</image:title>
      <image:caption>By Oscar Colman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/2/defying-gravity-the-songs-of-stephen-schwartz-at-the-theatre-royal-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583365041-S1RXE51CDFB55E27PYZ4/2806+EM16DG+9975+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney</image:title>
      <image:caption>The cast of Defying Gravity sing Day By Day with Stephen Schwartz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455659312860-UKLKBA2JG91KEXGZGTFL/1940+EM16DG+2269+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney</image:title>
      <image:caption>Betty Buckley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583508653-QPCPNR0V4F58VQSQZ6EI/0122+EM16DG+0954+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - David Harris</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583508825-MD3HV0SN3IVAG4DYUXCD/0209+EM16DG+1086+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Aaron Tveit</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583515323-1FRV4I7RE5B0MGVHWLX9/0645+EM16DG+1474+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Sutton Foster &amp; Daniel Maher</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583514718-1H0O9TVLN15UB34L8IU9/0859+EM16DG+1643+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Joanna Ampil</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583522655-SYKLV1HXP90FD7QSXQ1H/1028+EM16DG+1783+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Helen Dallimore &amp; Joanna Ampil</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583520664-2DNHTKCVQ55BU452H3WR/1168+EM16DG+9181+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Sutton Foster &amp; Aaron Tveit</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583526513-Q8JB78M4HH5HC23D44T3/1544+EM16DG+2040+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Aaron Tveit &amp; David Harris</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583530756-FD01MSYVTZN2BGC13NFV/1700+EM16DG+2186+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - David Harris &amp; Michael Tyack</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583532451-JFHEWZ0268WVDY5XZTE5/1828+EM16DG+2226+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - David Harris and Helen Dallimore</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583537458-XOX9UPQ3STTX0O7KIG5L/2089+EM16DG+2372+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Betty Buckley</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583537926-0FEVHW7UKGQ0N36KR8W5/2609+EM16DG+2678+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Sutton Foster</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1455583541779-RTVVKEZ69HNK6I0MR3JL/2845+EM16DG+0015+Pro+NG+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Defying Gravity: The Songs Of Stephen Schwartz at the Theatre Royal, Sydney - Stephen Schwartz &amp; Betty Buckley</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/1/photographing-the-arts-working-with-or-against-light-and-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1453333324042-KV6HZ4TDMBPE4KS856ZZ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space</image:title>
      <image:caption>Francesca Savige, Grant Cartwright, and Bjorn Stewart in Thomas Murray and the Upside Down River at Griffin Theatre. (See the shape of the stage?)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space</image:title>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Francesca Savige and Bjorn Stewart</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright &amp; Francesca Savige</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Bjorn Stewart &amp; Grant Cartwright</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Bjorn Stewart &amp; Francesca Savige</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Francesca Savige, Grant Cartwright, and Bjorn Stewart</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright &amp; Nicholas Papademetriou</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright &amp; Vanessa Downing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1453342629624-AX0PHQJS1JP9DSA84GY2/1023+ST16TM+9663+Pro+%C2%A9+Robert+Catto+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Vanessa Downing</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Bjorn Stewart &amp; Grant Cartwright</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Bjorn Stewart</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Vanessa Downing &amp; Grant Cartwright</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Bjorn Stewart &amp; Francesca Savige</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space - Thomas Murray and the Upside Down River</image:title>
      <image:caption>Grant Cartwright, Francesca Savige, and Bjorn Stewart</image:caption>
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      <image:title>Blog Archive - Photographing the arts: working with (or against) light and space</image:title>
      <image:caption>Grant Cartwright in Thomas Murray and the Upside Down River, at Griffin Theatre.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/1/the-new-kage-collective-monthly-publication-is-out-with-our-exclusive-x-pro-2-reviews</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2016-01-15</lastmod>
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      <image:title>Blog Archive - The new Kage Collective monthly publication is out - with our exclusive X-Pro 2 reviews...!</image:title>
      <image:caption>Christmas, Wollstonecraft NSW.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/1/the-kage-collective-on-flipboard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-01-04</lastmod>
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      <image:title>Blog Archive - The Kage Collective on Flipboard</image:title>
      <image:caption>A Field Guide To The Birders Of Southern Ontario</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2016/1/happy-new-year-from-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-01-01</lastmod>
    <image:image>
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      <image:title>Blog Archive - Happy New Year from Sydney!</image:title>
      <image:caption>Sydney Fireworks from Kirribilli, New Year's Eve 2015</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/12/a-gift-under-a-vagrant-sun-by-the-kage-collective-myself-included</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-12-21</lastmod>
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      <image:title>Blog Archive - A Gift: Under A Vagrant Sun by the Kage Collective</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1450674988368-HAMF5SBRGLLKLZ2QVLFS/KC14SO-5186-%2B-5207-Pro-%2B-Half-Ek-Combo+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - A Gift: Under A Vagrant Sun by the Kage Collective</image:title>
      <image:caption>Surry Hills, Australia, 21 Dec 2014.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - A Gift: Under A Vagrant Sun by the Kage Collective</image:title>
      <image:caption>Surry Hills, Australia, 21 Jun 2015.</image:caption>
    </image:image>
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      <image:title>Blog Archive - A Gift: Under A Vagrant Sun by the Kage Collective</image:title>
      <image:caption>Redfern, Australia, 21 Jun 2015.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/12/congratulations-to-the-dapto-chaser-on-3-sydney-theatre-award-nominations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-12-21</lastmod>
    <image:image>
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      <image:title>Blog Archive - Congratulations to The Dapto Chaser on 3 Sydney Theatre Award nominations!</image:title>
      <image:caption>Glynn Nicholas directing Richard Sydenham and Jamie Oxenbould in The Dapto Chaser.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1450671552270-A5P7M9BGY21U76PBGXHW/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Congratulations to The Dapto Chaser on 3 Sydney Theatre Award nominations!</image:title>
      <image:caption>Daryl Wallis and Glynn Nicholas in rehearsal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1450671719518-X4NR30D25B4P42TADKQ0/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Congratulations to The Dapto Chaser on 3 Sydney Theatre Award nominations!</image:title>
      <image:caption>The cast of The Dapto Chaser - Jamie Oxenbould, Noel Hodda, Danny Adcock and Richard Sydenham.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/12/photographing-the-arts-colour-balance-as-an-artistic-choice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448923173228-A3USYLGPJZZUXHH7TQ4X/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
      <image:caption>Andre de Vanny in Swansong, at the Old Fitz Theatre in Sydney</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448924100299-7MVY6CRUN940R88DIIA7/SS15PO+7115+As+Shot+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
      <image:caption>As taken in camera, set to Daylight or Flash balance, the lights look white but the bounced reflector looks REALLY REALLY GOLD.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448924104131-7VAYLCP3TMO6KH15XE9W/SS15PO+7115+Tungsten+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
      <image:caption>'Corrected' for the gold reflector with Tungsten colour balance, Andre now looks a bit grey and his surroundings are quite blue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448924099758-D51HFPK48MSJWIAIWVLY/SS15PO+7115+Custom+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
      <image:caption>With a custom white balance, I can choose a point between the two extremes, and give Andre a bit of warmth but still maintain the coolness of his surroundings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448924104529-7MSLXYP7VB5K1GSS2L4E/SS15PO+7115+Tri-X+%2B2+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
      <image:caption>And of course, there's always the option of black &amp; white if the other choices don't work out!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448925197401-HX81HLZNRV20PCFNAYKN/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: colour balance as an artistic choice</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/11/before-after-nida-summer-programme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Finished ad for NIDA Summer Courses 2016</image:caption>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Images created for the 2016 NIDA Summer Courses campaign, taken at Moore Park, Sydney.</image:caption>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Images created for the 2016 NIDA Summer Courses campaign, taken at Moore Park, Sydney.</image:caption>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Images created for the 2016 NIDA Summer Courses campaign, taken at Moore Park, Sydney.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Images created for the 2016 NIDA Summer Courses campaign, taken at Moore Park, Sydney.</image:caption>
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      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Images created for the 2016 NIDA Summer Courses campaign, taken at Moore Park, Sydney.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1448505104369-QZDEJ2X20NLCDZEG00WU/image-asset.gif</image:loc>
      <image:title>Blog Archive - Before &amp;amp; After: NIDA Summer Courses</image:title>
      <image:caption>Finished campaign for NIDA Summer Courses 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/10/photographing-the-arts-two-sides-to-every-story</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: two sides to every story</image:title>
      <image:caption>The audience applauds Sonny Rollins at the Wellington Jazz Festival, 2009; taken while standing near the corner of the stage during the performance.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: two sides to every story</image:title>
      <image:caption>A full house gives a standing ovation to James Thiérrée at the conclusion of Raoul, part of the New Zealand International Arts Festival 2012. Taken from one of the boxes with a camera which was pre-set on a tripod, but I was able to get into position just at the end of the show.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1445222874162-QDCY9RWCNKV94IFBMSJJ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: two sides to every story</image:title>
      <image:caption>The Vector Wellington Orchestra perform at Wellington Town Hall, under the baton of Maestro Marc Taddei. Taken with a remote camera in my sound blimp, pre-set in position at interval, and using a wireless trigger.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: two sides to every story</image:title>
      <image:caption>Reaction after a show, taken while seated alongside the audience in an empty seating block, during a performance at the New Zealand International Arts Festival 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1445224634393-C861AER4HKGXP3LMKX39/CS7FR+1362+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: two sides to every story - The Real Hot Bitches at Cuba St Carnival in Wellington, 2007.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1445223726711-HJUVEIXOLDOT2GO5U7N1/CS7SA+4702+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: two sides to every story - The Real Hot Bitches at Cuba St Carnival in Wellington, 2007.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1445223725578-5PTRNPSGS6AAM8V7OVWE/CS7SA+4651+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: two sides to every story - The Real Hot Bitches at Cuba St Carnival in Wellington, 2007.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1445476554149-G1D9IEO1GSN5JL31NZSY/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: two sides to every story</image:title>
      <image:caption>The audience react at Madeleine Pierard's recital for Chamber Music New Zealand, at Wellington Town Hall in 2012.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/9/photographing-the-arts-but-whose-images-are-they</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1442807253537-HMXDR6N08O2E9HN71DJJ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: whose images are they?</image:title>
      <image:caption>Eleanor Catton, winner of the 2013 Man Booker Prize for her novel The Luminaries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1443417838487-UYPJF56XDWMWCYG06KD2/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: whose images are they?</image:title>
      <image:caption>Jarod Rawiri in The Prophet, by Hone Kouka, at Downstage Theatre in Wellington, as part of the New Zealand International Arts Festival 2004.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1443418150881-YZW1LS8FWAP6I6W9IX31/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: whose images are they?</image:title>
      <image:caption>Robbie Magasiva in Where We Once Belonged, directed by Colin McColl, during the New Zealand International Arts Festival 2008.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/8/photographing-the-arts-what-skills-are-involved</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1440985467673-F8C8ZA025UQ7R35WU5LS/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Photographing the arts: what skills are involved?</image:title>
      <image:caption>T.E.O.R.E.M.A.T. by TR Warszawa, director Grzegorz Jarzyna</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what skills are involved?</image:title>
      <image:caption>The Sound Of Silence by New Theatre of Riga, director Alvis Hermanis</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: what skills are involved?</image:title>
      <image:caption>Aarero Stone by Carol Brown Dances / Charles Koroneho</image:caption>
    </image:image>
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      <image:title>Blog Archive - Photographing the arts: what skills are involved?</image:title>
      <image:caption>Yours truly (top left) in James Cameron's Avatar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/9/ride-fourplay-at-the-darlinghurst-theatre-company</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947467299-07Z3VT3QKF700BJQQIEZ/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947950953-ODKJVOF3UAPM7JTUIQC5/0094+DT15RF+2671+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947952776-OPQJMQ46QUFHJJ45TMUX/0381+DT15RF+2902+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947957826-OXFRZAK70P5LBHAHZ8YX/0524+DT15RF+3024+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947965423-NIOVN2ROWY1ANX84OIGS/0536+DT15RF+3036+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947964790-NBAJFEZBZKEHT6ZGJNJB/0571+DT15RF+1573+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948038187-S0JUC5CGP14GMNA0XVW3/0696+DT15RF+3149+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Two acutely observed and richly human one-act plays that delve into the heart of modern relationships. In Ride, two strangers wake up in bed together, naked and hung over, with no idea how they got there. Through hazily reconstructed memories, they begin to make sense of what may – or may not – have happened between them. Fourplay is a serendipitous story about four city dwellers finding intimacy, friendship and love in unlikely places. CAST: Ride - Tom O’Sullivan &amp; Emma Palmer Fourplay - Aaron Glenane, Tom O’Sullivan, Emma Palmer &amp; Gabrielle Scawthorn Director: Anthony Skuse Production Designer: Hugh O'Connor Lighting Designer: Christopher Page Sound Designer: Alistair Wallace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947969286-I2MSFZ3C5QSQ96YEDDKM/0919+DT15RF+3324+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441947968946-XD701D7B10X9NV5BAZ8N/0959+DT15RF+3341+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948664226-1D6ZLNJPCZNJL76ZU2KT/1378+DT15RF+3589+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948666935-D8NXNORIRNQUP0PLZLFH/1560+DT15RF+3710+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Aaron Glenane in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948671728-37Q0XDZ2OQ1GOADUC0XV/1593+DT15RF+3748+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Gabrielle Scawthorn and Aaron Glenane in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948669042-ENVWMRDU2FA47HQ6Z6GC/1654+DT15RF+2036+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Emma Palmer, Tom O'Sullivan, Gabrielle Scawthorn, and Aaron Glenane in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948672960-ART052PSJNHW793CBSWT/1699+DT15RF+3792+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948674701-IBN2QENBIW0K9F80IK7B/1923+DT15RF+2297+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Aaron Glenane, Tom O'Sullivan and Gabrielle Scawthorn in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948678030-9QB5R0R3Q7UFVGD0PZMJ/2014+DT15RF+2397+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Emma Palmer and Gabrielle Scawthorn in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1442370378021-304YJFH378T04V63Y4I2/2079+DT15RF+2469+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Aaron Glenane, Gabrielle Scawthorn, Emma Palmer and Tom O'Sullivan in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441948678704-YCGQ3VDVB5DL9ERM95LS/2112+DT15RF+2502+Pro+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Gabrielle Scawthorn and Aaron Glenane in Fourplay at the Darlinghurst Theatre Company, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1442180383725-URM875GJAQHA22G2NDL3/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Ride &amp; Fourplay at the Darlinghurst Theatre Company</image:title>
      <image:caption>Tom O'Sullivan and Emma Palmer in Ride (wide shot with full set, for designer's portfolio)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/9/lost-found-52-baylys-beach-new-zealand-2006</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441945707915-VUJ6K2DG5WAG1DROJUG5/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #52: Bayly's Beach, New Zealand 2006</image:title>
      <image:caption>Bayly's Beach, Northland New Zealand</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #52: Bayly's Beach, New Zealand 2006</image:title>
      <image:caption>Bayly's Beach near Dargaville, Northland New Zealand</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441945890619-VYY4OZZZFQT7HGJWLHVE/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #52: Bayly's Beach, New Zealand 2006</image:title>
      <image:caption>Bayly's Beach, Northland New Zealand</image:caption>
    </image:image>
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      <image:title>Blog Archive - Lost &amp; Found #52: Bayly's Beach, New Zealand 2006</image:title>
      <image:caption>Bayly's Beach, Northland New Zealand</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/8/photographing-the-arts-how-do-i-edit-my-images</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Tungsten lights with followspot - tungsten white balance</image:title>
      <image:caption>The Holy Sinner at the New Zealand International Arts Festival, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1439270020775-U7OJPR6EMJWP2PE6W7TW/NF6HS+8470+Provia+Custom+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Tungsten lights with followspot - custom white balance</image:title>
      <image:caption>The Holy Sinner at the New Zealand International Arts Festival, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441088201385-9Y9E0XLNJAF78PNW0G8T/Screen+Shot+2015-08-11+at+4.57.19+pm+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Image straight from the camera</image:title>
      <image:caption>DeObia Oparei and Amber McMahon in Angels In America Part 1: Millennium Approaches at Belvoir Theatre, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441088220926-M98Q6R68CRROBLWW9X38/Screen+Shot+2015-08-11+at+4.58.28+pm+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Image with RAW corrections applied</image:title>
      <image:caption>DeObia Oparei and Amber McMahon in Angels In America Part 1: Millennium Approaches at Belvoir Theatre, Sydney.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Image straight from camera</image:title>
      <image:caption>Mia Blake in The Holy Sinner, at the New Zealand International Arts Festival 2006</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I edit my images? - Image with corrections applied</image:title>
      <image:caption>Mia Blake in The Holy Sinner, at the New Zealand International Arts Festival 2006</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/9/lost-found-51-forest-lawn-memorial-park-glendale-california-2011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-09-07</lastmod>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #51: Forest Lawn Memorial Park, Glendale California, 2011</image:title>
      <image:caption>Statue at Forest Lawn Memorial Park, Glendale California, 2011</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #51: Forest Lawn Memorial Park, Glendale California, 2011</image:title>
      <image:caption>Rupert Julian on the set of Phantom Of The Opera, circa 1924 (courtesy of the Bison Archive)</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #51: Forest Lawn Memorial Park, Glendale California, 2011</image:title>
      <image:caption>Chatting with Carla Laemmle at her home in Los Angeles, 2011</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1441175619026-OJJF1WGJ9Q3Z5XAYBZHR/image-asset.jpeg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #51: Forest Lawn Memorial Park, Glendale California, 2011</image:title>
      <image:caption>Statue at Forest Lawn Memorial Park, Glendale California, 2011</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/8/lost-found-50-te-wharanui-at-waitangi-new-zealand-2006</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-27</lastmod>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #50: Te Whare Runanga at Waitangi, New Zealand, 2006</image:title>
      <image:caption>Te Whare Runanga at Waitangi, New Zealand, 2006</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #50: Te Whare Runanga at Waitangi, New Zealand, 2006</image:title>
      <image:caption>Te Whare Runanga at Waitangi, New Zealand, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1440569832736-8N6MMESXH19UF1RQWGCW/TR6PT+3347+V1+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #50: Te Whare Runanga at Waitangi, New Zealand, 2006</image:title>
      <image:caption>New Zealand dotterel, Northland</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #50: Te Whare Runanga at Waitangi, New Zealand, 2006</image:title>
      <image:caption>New Zealand seagull on a picnic table, Northland</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/8/photographing-the-arts-how-do-i-choose-which-images-a-client-sees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I choose which images a client sees?</image:title>
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      <image:title>Blog Archive - Photographing the arts: how do I choose which images a client sees?</image:title>
      <image:caption>The IPTC Notepad feature in Photo Mechanic [click to embiggen]</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1439274968109-XZUOZ77DPZXGHM06INMG/Good+Better+Best.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I choose which images a client sees?</image:title>
      <image:caption>Good, better, best: rating RAW files from three to five stars - with green to show the client's choice.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/lost-found-49-aboard-the-rocky-mountaineer-canada-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-20</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #49: Aboard the Rocky Mountaineer, Canada 2014</image:title>
      <image:caption>Heading from Vancouver towards the Rocky Mountains, British Columbia Canada</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #49: Aboard the Rocky Mountaineer, Canada 2014</image:title>
      <image:caption>The Chateau Lake Louise, Alberta Canada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/8/in-praise-of-the-camera-you-have-at-the-kage-collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-30</lastmod>
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      <image:title>Blog Archive - In Praise Of The Camera You Have, at the Kage Collective</image:title>
      <image:caption>Danny Adcock in The Dapto Chaser</image:caption>
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      <image:title>Blog Archive - In Praise Of The Camera You Have, at the Kage Collective</image:title>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/lost-found-48-mt-victoria-summit-and-breaker-bay-wellington-2007</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-13</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #48: Mt. Victoria Summit and Breaker Bay, Wellington 2007</image:title>
      <image:caption>Visitors walk back from the summit of Mount Victoria in Wellington, New Zealand. [Click to embiggen]</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #48: Mt. Victoria Summit and Breaker Bay, Wellington 2007</image:title>
      <image:caption>Hasselblad X-Pan II</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #48: Mt. Victoria Summit and Breaker Bay, Wellington 2007</image:title>
      <image:caption>Grasses in Breaker Bay, Wellington New Zealand. [Click to embiggen]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/7/photographing-the-arts-how-do-i-keep-my-images-safe</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I keep my images safe?</image:title>
      <image:caption>Embassy Theatre Restoration, Wellington New Zealand, 2003; during this renovation, the original proscenium arch behind the modern screen was visible for the first time in decades.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: how do I keep my images safe?</image:title>
      <image:caption>Mahinarangi Tocker and Shona Laing, New Zealand International Arts Festival 2004</image:caption>
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      <image:title>Blog Archive - Photographing the arts: how do I keep my images safe?</image:title>
      <image:caption>Eleanor Catton, Man Booker Prize winning author of The Luminaries, 2011</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I keep my images safe?</image:title>
      <image:caption>Lorde at Sydney's GoodGod Club, May 2013</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/7/lost-found-47-sydney-biennale-at-cockatoo-island-2012</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-06</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Philip Beesley, Hylozoic Series: Sibyl, 2012 at the Sydney Biennale, Cockatoo Island, 2012.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Monika Grzymala and Euraba Artists and Papermakers, The River, 2012.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Ed Pien with Tanya Tagaq, Source, 2012.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Adam Cvijanovic ‘The River’.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Peter Robinson, Gravitas Lite, 2012.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #47: Sydney Biennale at Cockatoo Island, 2012</image:title>
      <image:caption>Fujiko Nakaya, Living Chasm.</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/7/lost-found-46-drive-in-port-douglas-2010</loc>
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    <priority>0.5</priority>
    <lastmod>2015-07-29</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #46: Drive-In, Port Douglas 2010</image:title>
      <image:caption>Drive-in Cinema near Port Douglas, QLD</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #46: Drive-In, Port Douglas 2010</image:title>
      <image:caption>Termite Mound, Daintree Rain Forest, QLD</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/7/photographing-the-arts-how-do-i-make-everyone-happy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-13</lastmod>
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      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy?</image:title>
      <image:caption>Marcus Graham in Belvoir Theatre's production of Angels In America Part 1: Millennium Approaches</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy?</image:title>
      <image:caption>Luke Mullins in Angels In America, at Belvoir Theatre</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy? - The Master Shot</image:title>
      <image:caption>Amber McMahon in Angels In America at Belvoir Theatre.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy? - The Medium Closeup</image:title>
      <image:caption>Ashley Zukerman, Luke Mullins and Marcus Graham in Angels In America at Belvoir Theatre.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy? - The Tight Closeup</image:title>
      <image:caption>Luke Mullins in Angels In America, at Belvoir Theatre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1436852992739-4ZT936L7FRHRE5M9GJY2/1055+BE13A1+1904+Belvoir+Angels+In+America+Part+1+%C2%A9+Robert+Catto+Provia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Photographing the arts: how do I make everyone happy?</image:title>
      <image:caption>Mitchell Butel and Luke Mullins in Angels In America, at Belvoir Theatre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/7/lost-found-45-nova-scotia-canada-2010</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-23</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #45: Nova Scotia, Canada 2010</image:title>
      <image:caption>Forest, Nova Scotia</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #45: Nova Scotia, Canada 2010</image:title>
      <image:caption>Boat, Nova Scotia</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #44: Trinity, Newfoundland 2010</image:title>
      <image:caption>Trinity, Newfoundland on Canada's east coast</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #44: Trinity, Newfoundland 2010</image:title>
      <image:caption>A puffin sails overhead, at Bonavista, Newfoundland.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image?</image:title>
      <image:caption>New Theatre of Riga's production, The Sound Of Silence, at the New Zealand International Arts Festival in 2010</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image?</image:title>
      <image:caption>New Theatre of Riga's production, The Sound Of Silence, at the New Zealand International Arts Festival in 2010</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Photographing the arts: what makes a great production image? - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #43: Adirondack State Park, New York, 2010</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #43: Adirondack State Park, New York, 2010</image:title>
      <image:caption>Beaver dam, Adirondack State Park, New York</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #43: Adirondack State Park, New York, 2010</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #43: Adirondack State Park, New York, 2010</image:title>
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    <lastmod>2015-07-06</lastmod>
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      <image:caption>Jamie Oxenbould</image:caption>
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      <image:caption>Richard Sydenham</image:caption>
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      <image:caption>Danny Adcock</image:caption>
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      <image:caption>Noel Hodda</image:caption>
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      <image:caption>Noel Hodda, Jamie Oxenbould, Danny Adcock and Richard Sydenham</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Tuesday, 23 June, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line.</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
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      <image:title>Blog Archive - The Dapto Chaser - on now at Griffin Theatre!</image:title>
      <image:caption>Danny Adcock, Noel Hodda, Jamie Oxenbould &amp; Richard Sydenham rehearse with director Glynn Nicholas for Apocalypse Theatre's production of The Dapto Chaser, by Mary Rachel Brown, on Wednesday, 1 July, 2015. The show takes place at Griffin Theatre from 1 - 15 July, 2015. Photo by Robert Catto / robertcatto.com. For the Sinclair family, the cut-throat world of greyhound racing is a religion. And their beloved dog Boy Named Sue is more than a greyhound; he’s their heart and soul on four legs. With the crucial Winnebago Classic on the horizon, Cess Sinclair has one shot at reversing his family’s fortunes for good. Against all the odds, he’s betting on a miracle. The Dapto Chaser is warts-and-all Australian comedy that gets its hands dirty with the adrenaline, sweat and guts of the dog racing sub-culture. The Sinclairs are a family trapped in the pressure cooker of gambling addiction and when things don’t go to plan, they are forced to gamble the most important commodity of all – their relationship to each other. Playwright Mary Rachel Brown wrote The Dapto Chaser perched in the bleachers track-side, while director Glynn Nicholas will be going on an all-schnitzel diet to get it over the line. CREATIVE TEAM Director: Glynn Nicholas Producer: Dino Dimitriadis Set and Costume Designer: Georgia Hopkins Lighting Designer: Toby Knyvett Sound Designer: Daryl Wallis Stage Manager Cara Woods</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/6/lost-found-42-pointe-au-baril-lighthouse-canada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-03</lastmod>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #42: Pointe-au-Baril Lighthouse, Canada</image:title>
      <image:caption>Pointe-au-Baril Lighthouse, on Georgian Bay in Canada, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1435640988516-X3HRMBKIO85V9TZONTQV/Lighthouse+Velvia+100+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #42: Pointe-au-Baril Lighthouse, Canada</image:title>
      <image:caption>Sunset at Pointe-au-Baril Lighthouse, on Georgian Bay in Canada, 1999 [click to embiggen]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/6/lost-found-41-opononi-northland-new-zealand-2006</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-27</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #41: Opononi, Northland New Zealand, 2006</image:title>
      <image:caption>Opononi on a windy morning, 2006 [click to embiggen]</image:caption>
    </image:image>
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      <image:title>Blog Archive - Lost &amp; Found #41: Opononi, Northland New Zealand, 2006</image:title>
      <image:caption>Northland Tui, New Zealand, 2006</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/6/lost-found-40-nico-hulkenberg-at-the-a1-grand-prix-taupo-2007</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-03</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Nico Hülkenberg leads the 2007 A1 Grand Prix at Taupo Motorsport Park, New Zealand</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Sir Jack Brabham and Emerson Fittipaldi.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Eoin Young and Sir Jack Brabham.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Walter Willmott, Bruce Harre, and Eoin Young</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>John Surtees</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Emerson Fittipaldi, Chris Amon and Bruce Harre</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>John Watson in a 1967 McLaren M4A</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Emerson Fittipaldi in the 1974 McLaren Grand Prix car.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Sir Jack Brabham at the wheel of a 1959 Cooper.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Emerson Fittipaldi driving the 1974 McLaren Grand Prix car.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>1967 McLaren M4A demonstration run</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>A1 Grand Prix cars on the grid</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Jonny Reid driving for Team New Zealand</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Nico Hulkenberg and Loic Duval in the A1 Grand Prix race.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Ryan Hunter-Reay driving for Team USA.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Canadian driver James Hinchcliffe.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Indian driver Narain Karthikeyan</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Nico Hulkenberg leads the field at the A1 Grand Prix in Taupo.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Nico Hulkenberg atop the podium at the A1 Grand Prix, Taupo.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Nico Hulkenberg atop the podium at the A1 Grand Prix, Taupo.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>New Zealand driver Jonny Reid on the third step of the podium in Taupo.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Loic Duvall, Nico Hulkenberg and Jonny Reid after the A1 Grand Prix in Taupo.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>Jonny Reid celebrates third place.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #40: Nico Hulkenberg at the A1 Grand Prix, Taupo 2007</image:title>
      <image:caption>About to (nearly) get run over by Emerson Fittipaldi in a 1974 McLaren F1 car.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/6/lost-found-39-glenorchy-near-queenstown-new-zealand-2014</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-03</lastmod>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #39: Glenorchy near Queenstown, New Zealand 2014</image:title>
      <image:caption>The road to Glenorchy from Queenstown, New Zealand (click to embiggen)</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #39: Glenorchy near Queenstown, New Zealand 2014</image:title>
      <image:caption>The road to Glenorchy from Queenstown, New Zealand - 3 days later (click to embiggen)</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #39: Glenorchy near Queenstown, New Zealand 2014</image:title>
      <image:caption>Jumpers at Glenelg, Adelaide South Australia (click to embiggen)</image:caption>
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  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/6/lost-found-38-sonny-rollins-wellington-jazz-festival-2011</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-16</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #38: Sonny Rollins at the Wellington Jazz Festival, 2011</image:title>
      <image:caption>Jazz legend Sonny Rollins performs at the Michael Fowler Centre in New Zealand, as part of the Wellington International Jazz Festival 2011.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #38: Sonny Rollins at the Wellington Jazz Festival, 2011</image:title>
      <image:caption>Jazz legend Sonny Rollins performs at the Michael Fowler Centre in New Zealand, as part of the Wellington International Jazz Festival 2011.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #38: Sonny Rollins at the Wellington Jazz Festival, 2011</image:title>
      <image:caption>Jazz legend Sonny Rollins performs at the Michael Fowler Centre in New Zealand, as part of the Wellington International Jazz Festival 2011.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #38: Sonny Rollins at the Wellington Jazz Festival, 2011</image:title>
      <image:caption>Jazz legend Sonny Rollins performs at the Michael Fowler Centre in New Zealand, as part of the Wellington International Jazz Festival 2011.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/5/lost-found-37-wellington-jazz-festival-2009</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-06-02</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Wellington Jazz Festival, 2009</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>The Pacific Blue Note Jazz Club, a purpose built venue within Wellington's Town Hall.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Mike Nock at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>LA Mitchell at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>The Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Roy Ayers at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Melanie Pain at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Mingus Big Band at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Fat Freddy's Drop at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Dhafer Youssuf at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Dhafer Youssef at the Wellington Jazz Festival, 2009.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>The Wellington Jazz Festival, 2009.</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Tomasz Stanko at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Roberto Fonseca at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>The Brad Mehldau Trio sound check at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Whirimako Black at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Eric Bibb at the Wellington Jazz Festival, 2009.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Joe Lindsey at the Wellington Jazz Festival 2009, 6:34pm.</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #37: Wellington Jazz Festival, 2009</image:title>
      <image:caption>Joe Lindsey at the Wellington Jazz Festival 2009, 11:24pm (and they're just starting...)!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/5/lost-found-36-wellington-international-jazz-festival-2004</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-05-20</lastmod>
    <image:image>
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      <image:title>Blog Archive - Lost &amp; Found #36: Wellington International Jazz Festival, 2004</image:title>
      <image:caption>Wellington International Jazz Festival, 2004</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #36: Wellington International Jazz Festival, 2004</image:title>
      <image:caption>Amy X Neuberg at the Wellington International Jazz Festival, 2004</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #36: Wellington International Jazz Festival, 2004</image:title>
      <image:caption>Amy X Neuberg at the Wellington International Jazz Festival, 2004</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #36: Wellington International Jazz Festival, 2004</image:title>
      <image:caption>Alphabethead at the Wellington International Jazz Festival, 2004</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #36: Wellington International Jazz Festival, 2004</image:title>
      <image:caption>Maree Thom at the Wellington International Jazz Festival, 2004</image:caption>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/5/lost-found-34-wellington-international-jazz-festival-2002</loc>
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    <priority>0.5</priority>
    <lastmod>2015-05-07</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #34: Wellington International Jazz Festival 2002</image:title>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2015/5/apocalypse-theatre-presents-the-dapto-chaser</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-05-04</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #25: The Trial Of The Cannibal Dog, 2008</image:title>
      <image:caption>Nick Dunbar in The Trial Of The Cannibal Dog, 2008</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #24: Methven, New Zealand 2003</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #23: Methven, New Zealand 2003</image:title>
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      <image:caption>Apocalypse Theatre presents Asylum: 4</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #19: Whanganui Dawn, New Zealand 2009</image:title>
      <image:caption>Wanganui, New Zealand</image:caption>
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    <lastmod>2015-04-27</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #18: Red Stump, Waikanae New Zealand 2006</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #17: Cotton Grass at Pointe-au-Baril, Ontario Canada 2006</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #16: Racing The Sun, Miramar, New Zealand 2006</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #15: Oriental Bay Bench, Wellington New Zealand 2005</image:title>
      <image:caption>Oriental Bay, Wellington New Zealand</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #14: Lake Wakatipu New Zealand, 2012</image:title>
      <image:caption>Lake Wakatipu, New Zealand</image:caption>
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      <image:title>Blog Archive - Lost &amp; Found #13: Toetoe in Breaker Bay New Zealand, 2006</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #12: Seatoun Church New Zealand, 2006</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #10: Neil Dawson's 'Ferns' sculpture, Wellington New Zealand 2004</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #9: Phil Price 'Nucleus' sculpture, Christchurch New Zealand 2006</image:title>
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    <lastmod>2015-04-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354151697-DTRNHXU53J0409H5GB5P/DW03-053-Astia-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #8: Diwali Festival of Lights, Wellington New Zealand 2003</image:title>
      <image:caption>Diwali Festival in Wellington, New Zealand 2003</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/10/lost-found-mt-victoria-forest-wellington-new-zealand-2005</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354151488-RMG3TGZ2OBOHPVOEPG09/DSCF0226-Velvia-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #7: Mt Victoria Forest, Wellington New Zealand 2005</image:title>
      <image:caption>Mt Victoria Forest, Wellington 2005</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/10/lost-found-massey-memorial-miramar-wellington-2004</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354160987-QSDPYRN9HUBQ2X37M27G/V4A5166-Velvia-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #6: Massey Memorial, Miramar Wellington New Zealand 2004</image:title>
      <image:caption>Massey Memorial, Wellington 2004</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/10/vale-willem-wassenaar-dutch-kiwi-director</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellingon</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354162005-296IMKYNB5Q48KNY128W/400-NF10SF-6417-Pro-%2B-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
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      <image:title>Blog Archive - Vale Willem Wassenaar, Dutch - Kiwi director</image:title>
      <image:caption>Opera House, Wellington</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/10/in-praise-of-variety-at-the-kage-collective-chronicle-blog</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354165719-IE3TEY0VKZ13IM89Q0SA/XP6WN-H05-ps-nb-e6.jpg</image:loc>
      <image:title>Blog Archive - In Praise of Variety at the Kage Collective Chronicle blog</image:title>
      <image:caption>Neil Dawson's Sculpture 'Ferns' in Wellington, New Zealand</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/10/lost-found-oriental-rongotai-player-in-miramar-2006</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354151396-C61B18OROKL1D1NPFF3X/DS6T3-0151-Provia-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #5: Oriental Rongotai player in Miramar New Zealand, 2006</image:title>
      <image:caption>Oriental Rongotai, Miramar 2006</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/lost-found-civic-square-wellington-2004</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354160714-58LS0NI102QL70J9XE37/V4A4756-Velvia-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #4: Civic Square, Wellington New Zealand 2004</image:title>
      <image:caption>Civic Square, Wellington 2004</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/lost-found-dancing-dog-waikanae-2006</loc>
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    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
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      <image:title>Blog Archive - Lost &amp; Found #3: Dancing Dog, Waikanae New Zealand 2006</image:title>
      <image:caption>Waikanae Beach, 2006</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/the-bombay-royale-at-sydney-town-hall-with-fuji-x-pro-1-56mm-f1-2-18mm-f2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
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      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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    <image:image>
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      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354158391-BW7BXSX7X56SRUNB267A/RC14XP-3174-Pro-%2B-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354157904-N4XHKUGW980H1TXBUG09/RC14XP-3160-Pro-%2B-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - The Bombay Royale at Sydney Town Hall (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/lost-found-wairarapa-donkey-2004</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354161560-YRAYM2SB6GILB4YV5OCS/V4A7047-Ek-100VS-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Lost &amp; Found #2: Wairarapa Donkey, New Zealand 2004</image:title>
      <image:caption>Wairarapa, New Zealand</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/vale-eoin-young-a-great-new-zealand-motorsport-icon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354152813-L218G4IS3K89B651I00U/Murray-Walker-B-018-ps-nb-nn.jpg</image:loc>
      <image:title>Blog Archive - Vale Eoin Young, a great New Zealand motorsport icon</image:title>
      <image:caption>Christchurch, 2002</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - Vale Eoin Young, a great New Zealand motorsport icon</image:title>
      <image:caption>Taupo Motorsport Park, 2005</image:caption>
    </image:image>
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      <image:title>Blog Archive - Vale Eoin Young, a great New Zealand motorsport icon</image:title>
      <image:caption>Taupo Motorsport Park, 2005</image:caption>
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      <image:title>Blog Archive - Vale Eoin Young, a great New Zealand motorsport icon</image:title>
      <image:caption>Taupo Motorsport Park, 2005</image:caption>
    </image:image>
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      <image:title>Blog Archive - Vale Eoin Young, a great New Zealand motorsport icon</image:title>
      <image:caption>Wellington, 2009</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/09/march-in-august-rally-at-hyde-park-sydney-with-fuji-x-pro-1-56mm-f1-2-18mm-f2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354155193-OCDNSF7C6PFGB2YFF3HN/RC14XP-2816-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354153692-B3G5589EF81910G4T2YL/RC14XP-2766-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354153846-NO8IWK0258CZMGDUTOU3/RC14XP-2783-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354154003-VJK28VSV9DREJ0PLVTLD/RC14XP-2788-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354154193-ZO755U3FKA4PVI55PETS/RC14XP-2793-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
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    <image:image>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354154592-H70I6RC414DWEKZP4NVJ/RC14XP-2807-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354155607-SAUDD8DOFDAWGKVGA2ZG/RC14XP-2839-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354155791-ZZMVV6DZ5OCK1IJEWGC9/RC14XP-2842-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
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    <image:image>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354153394-BHQUIFSZPR6L05VVBLOV/RC14XP-2756-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354154392-6MSO6HJNHJBHQIFWDR5S/RC14XP-2798-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354156395-8TI7I3K55QL9S9LG26RB/RC14XP-2884-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354156601-GZQ2J6MCSUPZMAKN9GSU/RC14XP-2890-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354157615-CCJ7YGLZLUPNK0FHCEEM/RC14XP-2919-Half-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - March In August rally at Hyde Park, Sydney (with Fuji X-Pro 1 &amp; 56mm f/1.2, 18mm f/2)</image:title>
      <image:caption>Hyde Park</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/07/congratulations-to-helpmann-award-nominees-robyn-nevin-angels-in-america</loc>
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    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354144808-RG6HC4T0HHIYKHY17W3P/0010-BE13A1-0037-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Robyn Nevin as the Rabbi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354145100-X8V3WE3Q5G6GLMXUA1DP/0051-BE13A1-0085-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Marcus Graham as Roy Cohn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354145192-33Z5KPNMGN09TWTDXZYY/0072-BE13A1-8522-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Amber McMahon as Harper Pitt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354145416-FO5XRGHAD4AFMUCDXI7T/0242-BE13A1-0418-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354145607-QRJX9WZCL6QHAAPRTG2Z/0284-BE13A1-0480-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Amber McMahon as Harper Pitt</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354145706-E9INZNNBVRHMVG0AWUJ1/0305-BE13A1-0509-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354149701-FZJXV0DDIYTGYIKWQWTV/BE13A1-0582-%C2%A9-Robert-Catto-ProviaA.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter and Mitchell Butel as Louis Ironson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354146203-01I8J75NMSX9PLG1JXF9/0460-BE13A1-0815-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Amber McMahon as Harper and Ashley Zukerman as Joe Pitt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354146330-Y42FLCOI809JOOQUAZEZ/0505-BE13A1-0921-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Ashley Zukerman as Joe Pitt and Marcus Graham as Roy Cohn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354146589-YLVX5H4EIRKBDU7N30CI/0517-BE13A1-0944-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>DeObia Oparei as Belize, with Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354146816-37BZ2TNH0HVMPH4XEGCT/0546-BE13A1-0995-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354146996-N1RMIIGG5MUVD6VC3TW1/0653-BE13A1-1205-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Mitchell Butel as Louis Ironson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354147192-CNF9Z6WUG7TQ8KT6NNBV/0668-BE13A1-1234-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Amber McMahon as Hannah Pitt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354147337-G2FC22SGNY0J2Z3HN9BY/0729-BE13A1-1332-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter with the ghost of prior Priors</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354147413-LSURH1RPUNL02WY7BDV2/0814-BE13A1-1541-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Paula Arundell with Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354147691-OUKADKLJ3XBE2CC0Y0JC/0825-BE13A1-1554-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Flames!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354147892-6M4DT9DLY9TMHZSKWMA9/0906-BE13A1-1678-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>DeObia Oparei as Mr Lies, with Amber McMahon as Harper Pitt</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354148292-ND8YAAYANWH6K3T800F0/0935-BE13A1-1717-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Paula Arundell with Amber McMahon as Hannah Pitt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354148606-HJFXCFHK9V6CYZMAEYXT/1008-BE13A1-1849-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Marcus Graham as Roy Cohn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354148809-6034MNSVMIPAILSMU4KP/1039-BE13A1-1886-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter with the ghost of prior Priors</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354149192-R6QDLLMVE3T4Q1EMDIVJ/1106-BE13A1-1956-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter with Mitchell Butel as Louis Ironson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354149295-5YLAW8LUK2ZXYIUDEFQT/1199-BE13A1-2090-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354149396-ZGLXW7TRPV1HQ0OGIGMF/1207-BE13A1-2101-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Luke Mullins as Prior Walter and Paula Arundell as the Angel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354149493-FY11RQWQ37ZH3NGGA58E/1220-BE13A1-8555-Belvoir-Angels-In-America-Part-1-%C2%A9-Robert-Catto-Provia-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - Congratulations to Helpmann Award nominees, Robyn Nevin &amp; Angels In America!</image:title>
      <image:caption>Curtain call (with haze)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/06/new-lens-test-2-sydney-opera-house-silhouettes-with-the-fuji-x-pro-1-and-56mm-f1-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354144687-P6PKXMSV9X7TNRF9PJBP/RC14XP-0576-Pro-%2B-Half-Ek-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Test #2: Sydney Opera House Silhouettes with the Fuji X-Pro 1 and 56mm f/1.2</image:title>
      <image:caption>Sydney Opera House, Pre-Show</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2014/06/new-lens-testing-winter-light-on-the-streets-of-surry-hills-with-the-fuji-x-pro-1-56mm-f1-2</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354140747-7D4F3AROGLLCKKEIZLME/RC14XP-0438-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/210s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354140834-ZHAY70AB0GEP998HD78X/RC14XP-0440-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/640s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354141263-RZSY887GA60LZI1D4XIF/RC14XP-0462-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/950s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354141414-68HBVUBL06HS2OKW5KOL/RC14XP-0476-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/900s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354141416-B7W8T4MM3DWSC40CMPIG/RC14XP-0478-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/400s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354141869-XE9E4HE1X9A17PQTDZM5/RC14XP-0483-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/2700s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/420s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354141910-8QQV6XDXQZC33RQX1FQJ/RC14XP-0493-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/210s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354142572-IJ3KYRD8LY68FYPBP5BA/RC14XP-0501-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/480s at f/5.6 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354142703-4FSFA4GKY71OB6QJ1R75/RC14XP-0506-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/125s at f/4 on 320 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/950s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354143019-ZDH0CSHQ9UAIB17E3IW5/RC14XP-0520-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/1400s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413354143120-HE1EWKIULNHHXP5RMLLS/RC14XP-0521-Pro%2BHalf-Ek-%C2%A9-Robert-Catto-Not-Print-Quality.jpg</image:loc>
      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/1250s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/140s at f/8 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/180s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/420s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Camera settings: 1/220s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:caption>Camera settings: 1/450s at f/1.2 on 200 ISO with the Fujinon XF 56mm f/1.2R lens on a Fuji X-Pro 1.</image:caption>
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      <image:title>Blog Archive - New Lens Testing: Winter Light on the Streets of Surry Hills, with the Fuji X-Pro 1 &amp; 56mm f/1.2</image:title>
      <image:caption>Vivid Sydney</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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      <image:title>Blog Archive - Broods at GoodGod Club, Sydney (with Fuji X-Pro 1, 60mm f/2.4 and 35mm f/1.4)</image:title>
      <image:caption>New Zealand band Broods performing at GoodGod Club, Sydney, photographed on Wednesday 4 June 2014.</image:caption>
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    <lastmod>2015-04-27</lastmod>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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    <image:image>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
    </image:image>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Kyary Pamyu Pamyu at the UNSW Roundhouse</image:title>
      <image:caption>UNSW Roundhouse</image:caption>
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      <image:title>Blog Archive - Today in New Zealand International Arts Festival history: The Earth From Above (2006), Te Karakia (2008), &amp; Michael James Manaia (2012)</image:title>
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      <image:title>Blog Archive - Lost &amp; Found #1: Taranaki Surf, 2003</image:title>
      <image:caption>Taranaki Surf, 2003</image:caption>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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      <image:title>Blog Archive - Sydney Swans Victory Parade Today (with Fuji X-Pro 1 &amp; 18mm f/2 lens, and Alien Skin Exposure 4)</image:title>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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    <lastmod>2014-10-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353983740-2BCHAREY8BMXEPK39MBD/IMG_9598.jpg</image:loc>
      <image:title>Blog Archive - Lost Leopard #1, Sydney Streets (with 645 Pro and Snapseed for iPhone 4S)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/dominion-building-wellington-with-fuji-x-pro-1-18mm-f2-lens-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353985132-KU7HT2Q7H3SJG939GLW4/RC12XP-4418-TMax.jpg</image:loc>
      <image:title>Blog Archive - Dominion Building, Wellington (with Fuji X-Pro 1 &amp; 18mm f/2 lens, and Alien Skin Exposure 4)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/castlepoint-in-the-wairarapa-from-the-point-of-the-castle-with-fuji-x100-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353984431-T8MXWLLTIB7AJG9KOUNB/RC11CP-1826-Velvia-50.jpg</image:loc>
      <image:title>Blog Archive - Castlepoint in the Wairarapa, from the point of the castle (with Fuji X100 and Alien Skin Exposure 4)</image:title>
      <image:caption>Castlepoint, Wairarapa</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/wellington-waterfront-at-night-with-a-bit-of-happy-accident-thrown-in</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353983230-NCPXKCC3NLQ9B1LENWSI/DSCF5402-Velvia.jpg</image:loc>
      <image:title>Blog Archive - Wellington Waterfront At Night, With A Bit Of Happy Accident Thrown In (and a Fuji X-Pro 1 w. 60mm f/2.4, and Alien Skin Exposure 4)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/biennale-of-sydney-cockatoo-island-fujiko-nakayas-living-chasm-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353983426-JSHI3ZDGA5IK41RFM4MG/IMG_7463.jpg</image:loc>
      <image:title>Blog Archive - Biennale of Sydney, Cockatoo Island: Fujiko Nakaya's Living Chasm (with 645 Pro &amp; Snapseed for iPhone 4S)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/lonely-bear-karaka-bay-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2012-09-09</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/army-exercises-on-breaker-bay-beach-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/09/ferry-landing-at-seatoun-wharf-just-now-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/08/beervana-images-from-westpac-stadium-check-out-a-slideshow-of-the-weekend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/08/so-wait-i-know-ive-been-away-but-stella-maris-it-looks-brand-new</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/standing-around-at-the-corner-of-queen-bathurst-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2012-07-27</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-7-new-zealand-architecture-woodville-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-6-state-highway-4-from-wanganui-to-taumarunuiwith-645-pro-and-snapsee-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-5-taumarunui-with-645-pro-for-iphone-4s-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-4-te-aute-hotel-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-3-state-highway-2-south-of-napier-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/sydney-opera-house-from-the-harbour-ferry-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2012-07-13</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-2-unitec-auckland-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/the-giant-pink-tambourine-playing-space-rabbit-of-surry-hills-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2012-07-12</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/north-island-panorama-1-taumarunui-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/nothing-beats-a-great-pair-of-wait-what-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/two-cars-one-spot-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/monkey-pub-sydney-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/07/one-way-street-surry-hills-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/marine-parade-napier-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/seatoun-wharf-this-afternoon-with-645-pro-for-iphone-4s-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/breaker-bay-wellington-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/st-marys-cathedral-sydney-with-645-pro-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/autumn-in-sydney-with-645-pro-for-iphone-4s-and-alien-skin-exposure-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/why-the-fuji-x-series-could-become-the-most-awesome-cameras-of-all-time-yo-all-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353976446-84OVARTYC2N26EV5M8O4/RC8XP-7308-ftl-video.jpg</image:loc>
      <image:title>Blog Archive - Why the Fuji X-Series could become the most awesome cameras of all time, yo!  Of ALL TIME!</image:title>
      <image:caption>Hasselblad X-Pan II</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353977230-GP10LMQU345JZOSHJTES/XP7CP-D002-ps-nb-nn-e6.jpg</image:loc>
      <image:title>Blog Archive - Why the Fuji X-Series could become the most awesome cameras of all time, yo!  Of ALL TIME!</image:title>
      <image:caption>Castlepoint, Wairarapa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353971737-36MGKMKVQI34TW30WJFO/065-XP7AU-F06-ps-nb.jpg</image:loc>
      <image:title>Blog Archive - Why the Fuji X-Series could become the most awesome cameras of all time, yo!  Of ALL TIME!</image:title>
      <image:caption>Glenelg, Adelaide South Australia</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353976836-3SQOG1QY09K36A49OXK8/XP6WN-H05-ps-nb-e6.jpg</image:loc>
      <image:title>Blog Archive - Why the Fuji X-Series could become the most awesome cameras of all time, yo!  Of ALL TIME!</image:title>
      <image:caption>Neil Dawson's Ferns, Wellington</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353977131-CPVA3895XV0EE0FUHB5A/XP7AU-B01-ps-nb.jpg</image:loc>
      <image:title>Blog Archive - Why the Fuji X-Series could become the most awesome cameras of all time, yo!  Of ALL TIME!</image:title>
      <image:caption>Albert Park, Australian Grand Prix in Melbourne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/bombay-royale-at-the-basement-sydney-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/the-jezabels-at-hordern-pavilion-sydney</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/mexican-elvis-of-surry-hills-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/sydney-architecture-winter-light-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/gentlemens-cloak-room-sydney-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/keep-the-pavement-dry-sydney-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/sydney-tower-vertical-panorama-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/06/night-crossing-on-the-interislander-picton-wellington-with-645-pro-and-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/south-island-panoramas-iv-hanmer-springs-picton-via-nelson-with-645-pro-snapseed-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/south-island-panoramas-iii-wellington-picton-by-ferry-with-645-pro-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/knox-church-christchurch-with-645-pro-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/wanaka-and-diamond-lake-with-the-iphone-4-645-pro</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/south-island-panoramas-mt-john-with-645-pro-for-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/05/christchurch-art-gallery-last-week-with-645-pro-snapseed-and-iphone-4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/04/just-found-one-of-my-images-of-eleanor-catton-as-a-double-page-spread-in-the-denizen-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353960926-1N4GGS9I8XNZDXZ3XC6S/IMG_4763.jpg</image:loc>
      <image:title>Blog Archive - Just found one of my images of Eleanor Catton as a double-page spread in The Denizen magazine...</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/04/nice-light-on-taranaki-st-this-morning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/04/streets-of-sydney-with-the-fuji-x-pro-1-and-18mm-f2-lens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353962530-UNMZOS403GWEUO6MBTC9/RC12XP-0599-Velvia-50.jpg</image:loc>
      <image:title>Blog Archive - Streets of Sydney with the Fuji X-Pro 1 and 18mm f/2 lens</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/04/more-images-from-the-sydney-streets-with-th-fujifilm-x-pro-1-35mm-f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353961225-05P6IUBP5TIFSMNAVRKB/RC12XP-0307-Velvia-50.jpg</image:loc>
      <image:title>Blog Archive - More images from the Sydney streets, with the Fujifilm X-Pro 1 and 35mm f/1.4...</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/04/gloria-jean-of-sydney-fuji-x-pro-1-testing-with-the-35mm-f1-4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2012-04-13</lastmod>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/02/new-zealand-international-arts-festival-countdown-to-launch-2010-the-arrival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353959231-EVX1JRZ9T7U0Y9LNLDBX/623-NF10AR-1697-Provia.jpg</image:loc>
      <image:title>Blog Archive - New Zealand International Arts Festival countdown to launch - 2010, The Arrival</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/02/new-zealand-international-arts-festival-countdown-to-launch-2008-the-cast-of-black-watch</loc>
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    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353960525-O4SUWJC5GSVOLBZSP65J/NF8KC-6556-Provia.jpg</image:loc>
      <image:title>Blog Archive - New Zealand International Arts Festival countdown to launch - 2008, the cast of Black Watch</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/02/new-zealand-international-arts-festival-countdown-to-launch-2006-tea-a-mirror-of-soul</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1413353960333-DMW0UXHASREL3P2NOU5L/NF6TE-8456-Velvia.jpg</image:loc>
      <image:title>Blog Archive - New Zealand International Arts Festival countdown to launch - 2006, Tea: A Mirror Of Soul</image:title>
    </image:image>
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  <url>
    <loc>https://www.robertcatto.com/blog-archive/2012/02/new-zealand-international-arts-festival-countdown-to-launch-2004-the-overcoat</loc>
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    <lastmod>2014-10-15</lastmod>
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      <image:title>Blog Archive - New Zealand International Arts Festival countdown to launch - 2004, The Overcoat</image:title>
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    <loc>https://www.robertcatto.com/blog-archive/2012/02/angel-place-sydney-during-the-sydney-festival</loc>
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    <lastmod>2014-10-15</lastmod>
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      <image:title>Blog Archive - Worser Bay on a damp evening</image:title>
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    <loc>https://www.robertcatto.com/blog-archive/2012/02/aleksandra-lane-reads-from-her-new-anthology-birds-of-clay</loc>
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      <image:title>Blog Archive - Aleksandra Lane reads from her new anthology, Birds Of Clay</image:title>
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    <lastmod>2012-02-12</lastmod>
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    <lastmod>2012-02-09</lastmod>
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      <image:title>Blog Archive - Saturday Morning with Kim Hill, 3 Dec 11 at 9:40am</image:title>
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      <image:title>Dance - Bonnie Lythgoe Productions Presents Cinderella</image:title>
      <image:caption>Jaime Hadwen and Tim Maddren perform at the State Theatre in Sydney.</image:caption>
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      <image:title>Dance - Bonnie Lythgoe Productions presents Jack And The Beanstalk</image:title>
      <image:caption>At the State Theatre, Sydney</image:caption>
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      <image:title>Dance - Aarero Stone</image:title>
      <image:caption>At the New Zealand International Arts Festival, Wellington</image:caption>
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      <image:title>Dance - Aarero Stone</image:title>
      <image:caption>At the New Zealand International Arts Festival, Wellington</image:caption>
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      <image:title>Dance - Te Matarae I O Rehu</image:title>
      <image:caption>At the New Zealand International Arts Festival in Wellington</image:caption>
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      <image:title>Dance - A Chorus Line, directed by Amy Campbell</image:title>
      <image:caption>At Darlinghurst Theatre Company, Sydney</image:caption>
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      <image:title>Dance - Giselle by Fabulous Beast Dance Theatre, directed by Michael Keegan-Dolan</image:title>
      <image:caption>At the New Zealand International Arts Festival in Wellington.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1589434641849-G8UIC6LRSLMS3IK96NNM/022+NF8WW+4521+ps+Provia+%C2%A9+Robert+Catto+Not+Print+Quality.jpg</image:loc>
      <image:title>Dance - Giselle by Fabulous Beast Dance Theatre, directed by Michael Keegan-Dolan</image:title>
      <image:caption>At the New Zealand International Arts Festival, Wellington.</image:caption>
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    <image:image>
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      <image:title>Dance - Cry-Baby, directed by Alexander Berlage</image:title>
      <image:caption>At the Hayes Theatre, Sydney</image:caption>
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      <image:title>Dance - Cry-Baby, directed by Alexander Berlage</image:title>
      <image:caption>At the Hayes Theatre, Sydney</image:caption>
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      <image:title>Dance - Inside Out, by Cirkus Cirkör</image:title>
      <image:caption>At the New Zealand International Arts Festival, Wellington.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d1dfe7e4b0463ccf6626b6/1589434799269-N781T8KBAQBAFCJ2G5JA/0417+NF12MA+3137+Provia+Not+Print+Quality.jpg</image:loc>
      <image:title>Dance - Masi by The Conch Theatre, directed by Nina Nawalowalo</image:title>
      <image:caption>At the New Zealand International Arts Festival, Wellington</image:caption>
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      <image:title>New Zealand International Arts Festival</image:title>
      <image:caption>Vivid Festival in Sydney, photographed on Friday 6 June 2014.</image:caption>
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      <image:title>About Me - New Zealand International Arts Festival 2010 - Sound of Silence</image:title>
      <image:caption>Innovative director Alvis Hermanis captures the idealism and social utopia of the 60s in his latest theatrical offering, Sound of Silence. The award-winning director takes us on yet another exploration into new form, this time creating a play entirely without words and set instead to the soundtrack and narrative of flower power icons Simon and Garfunkel.</image:caption>
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      <image:title>About Me - Robert Catto, Photographer</image:title>
      <image:caption>Robert Catto, Photographer</image:caption>
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      <image:title>About Me</image:title>
      <image:caption>Angelique Cassimatis in the Darlinghurst Theatre Company production of A Chorus Line.</image:caption>
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      <image:title>About Me</image:title>
      <image:caption>Giselle by Fabulous Beast Dance Theatre, at the New Zealand International Arts Festival</image:caption>
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      <image:title>Photographing The Arts</image:title>
      <image:caption>Vivid Festival in Sydney, photographed on Friday 6 June 2014.</image:caption>
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      <image:caption>Vivid Festival in Sydney, photographed on Friday 6 June 2014.</image:caption>
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      <image:caption>Olivia Bryant, Yvette Reid and Amy Walker in Dead Letters (short film), director Paolo Rotondo</image:caption>
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      <image:title>First XV</image:title>
      <image:caption>Vivid Festival in Sydney, photographed on Friday 6 June 2014.</image:caption>
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      <image:caption>All images &amp; content on this site, unless otherwise stated, are copyright Robert Catto, Photographer. All rights - including moral rights - are reserved. [Image: Luke Mullins as Prior Walter, in the Belvoir Theatre production of Angels In America.]</image:caption>
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